W. Joseph Campbell

Posts Tagged ‘Debunking’

Imagining Richard Nixon’s ‘secret plan’ for Vietnam

In 1897, Debunking, Error, Furnish the war, Media myths, Newspapers, Quotes, Spanish-American War on November 14, 2017 at 6:34 pm

In an essay today in which he imagines returning to New York in 1961, storyteller Garrison Keillor demonstrates anew a fondness for seasoning narratives with media myths.

Keillor: seasoning with myth (AP photo)

This time he invokes the mythical tale of Richard Nixon’s “secret plan” for the Vietnam War, supposedly made during the 1968 campaign for the presidency.

Keillor’s musings notwithstanding, “secret plan” was a campaign pledge that Nixon never made.

The essay was spun around Keillor’s iPhone dying on a trip to New York City. “It dawned on me,” he wrote, “that … if I decided to not get [a new] iPhone, it would be 1961 outside and my hero A.J. Liebling would be alive and still writing his gorgeous stuff….”

Nevertheless, Keillor added, “The thought of going back to 1961 was unbearable. I’d have to relive the 1963 assassination [of President John F. Kennedy] and stay in grad school to dodge the draft and hear Richard Nixon say that he had a secret plan to end the war in Vietnam.”

Even if he were to return to the ’60s, Keillor would never hear Nixon touting a “secret plan.”

Not only did Nixon never claim to have a “secret plan” to end the war, he pointedly and publicly disavowed such a notion. In an article published March 28, 1968, in the Los Angeles Times, Nixon was quoted as saying he had “no gimmicks or secret plans” for Vietnam.

“If I had any way to end the war,” he was further quoted as saying, “I would pass it on to President [Lyndon] Johnson.” (Nixon’s remarks were made just a few days before Johnson announced he would not seek reelection.)

As I’ve noted previously at Media Myth Alert, Nixon may or may not have had a “secret plan” in mind in 1968. But he did not run on a “secret plan”: It was neither a topic nor a plank of his campaign that year.

That much is clear in reviewing the search results of a full-text database of leading U.S. newspapers in 1968, including the Los Angeles Times, New York Times, Baltimore Sun, Wall Street Journal, Washington Post, and Chicago Tribune.

The search terms “Nixon” and “secret plan” returned no articles during the period from January 1, 1967, to January 1, 1969, in which Nixon was quoted as saying he had a “secret plan” for Vietnam. (The search period included the months of Nixon’s presidential campaign and its aftermath.)

Had Nixon claimed during the 1968 campaign to possess a “secret plan” for Vietnam, the top newspapers in the country certainly would have publicized it.

This is not the first time Keillor has indulged in a hoary media myth.

In a “Writer’s Almanac” podcast aired on NPR in April 2015, Keillor told listeners that “in 1898,” newspaper publisher William Randolph Hearst “sent the artist Frederic Remington to Cuba to cover the war. And Remington wrote home, ‘There is no war. Request to be recalled.’

“And he was told, ‘You furnish the pictures, I’ll furnish the war.’ And the Hearst newspapers did their best to promulgate what came to be called the Spanish-American War.”

The Remington-Hearst tale is one of the best-known in American journalism. And it is surely apocryphal, for reasons described in detail in the opening chapter of Getting It Wrong, my media-mythbusting book.

Among the reasons for disputing the tale is that it is unsupported by compelling documentation: Notably, the telegrams that Remington and Hearst supposedly exchanged have never turned up.

Moreover, the Spanish authorities who controlled incoming and outbound telegraphic traffic in Cuba at the time of Remington’s visit (it lasted eight days in January 1897), surely would have intercepted and called attention to a provocative message such as Hearst’s “furnish the war” vow — had it been sent.

The timing of Remington’s trip to Cuba casts further doubt on the “furnish the war” anecdote: It would have been absurd for Hearst to have vowed to “furnish the war” because war — specifically, Cuba’s island-wide rebellion against Spanish colonial rule — was the very reason he sent Remington to Cuba in the first place.

Keillor, apparently, was unpersuaded by such evidence: Six months later, in October 2015, he repeated the “furnish the war” myth in a “Writer’s Almanac” podcast about the “Yellow Kid” comic, which was popular for a time in the mid- and late-1890s.

WJC

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WaPo media writer embraces Woodward-Bernstein Watergate myth

In Debunking, Error, Media myths, Scandal, Washington Post, Watergate myth on October 7, 2017 at 7:58 am

A dozen years ago, just after Watergate’s famous anonymous source, “Deep Throat,” had outed himself, the Washington Post’s ombudsman, Michael Getler, offered a timeless reminder about Watergate and the forces that ended Richard Nixon’s presidency in 1974.

“Ultimately,” Getler wrote in his column, “it was not The Post, but the FBI, a Congress acting in bipartisan fashion and the courts that brought down the Nixon administration.”

Nixon quits: Not the Post’s doing

Now, one of Getler’s distant successors at the Post, media columnist Margaret Sullivan, has returned to the lessons of Watergate and in doing so embraced the heroic-journalist trope that the Post and its then-young reporters Bob Woodward and Carl Bernstein were crucial to bringing down Nixon’s corrupt presidency.

Writing in the latest number of Columbia Journalism Review, Sullivan asserts that Woodward and Bernstein  “uncovered the Nixon administration’s crimes and the cover-up that followed. In time, their stories helped to bring down a president who had insisted, ‘I am not a crook.'”

There’s a lot of myth in those unsourced claims.

Let’s unpack them.

First, it’s hard to credit Woodward and Bernstein with having “uncovered” the crimes of Watergate. The scandal’s seminal crime — the thwarted break-in at headquarters of the Democratic National Committee in mid-June 1972 — was at first a police beat story.

The Post and other news organizations reported on the foiled break-in the day after it happened. The Post’s article carried the byline of Alfred E. Lewis; Woodward and Bernstein were listed among the story’s contributors.

The decisive crime of Watergate, the one that brought Nixon’s downfall, was his obstructing justice in attempting to divert the FBI’s investigation of the break-in.

Nixon’s obstruction most certainly was not “uncovered” by Woodward and Bernstein. It was disclosed not long before Nixon resigned, in the release of a previously secret White House tape on which the president is heard approving the diversion scheme.

Nor did Woodward and Bernstein reveal the Nixon’s administration’s cover-up of the Watergate burglary.

That much was made quite clear long ago, in a mostly hagiographic account published, yes, in the Columbia Journalism Review in summer 1973, about a year before Nixon quit.

The journalism review lauded Woodward, Bernstein, and their editors at the Post in an article titled, “The Washington ‘Post’ and Watergate: How two Davids slew Goliath.” The subtitle referring to Woodward and Bernstein as “two Davids” was an early expression of the heroic-journalist interpretation that has long since became the dominant narrative of Watergate.

Deep in the article was a passage saying that Woodward and Bernstein had “missed perhaps the most insidious acts of all — the story of the coverup and the payment of money to the Watergate defendants [charged and tried in the burglary] to buy their silence.”

The article quoted Woodward as saying about the cover-up:

“It was too high. It was held too close. Too few people knew. We couldn’t get that high.”

The article also pointed out, correctly:

“The Post did not have the whole story [of Watergate] by any means.”

That observation was effectively confirmed while the issue of Columbia Journalism Review was in circulation: In mid-July 1973, a former White House aide, Alexander Butterfield, told the Senate select committee investigating Watergate that Nixon secretly taped his Oval Office conversations, starting in 1971.

It was an explosive disclosure, a pivotal development — and a story that Woodward and Bernstein did not break.

So can it be said their Watergate stories, which won a Pulitzer Prize for the Post in 1973, also “helped to bring down a president,” as Sullivan claims? Maybe marginally, very marginally. At best.

What ended Nixon’s presidency was clear evidence that he had approved the plan, brought to him in June 1972 by his top aide, H.R. Haldeman, to divert the FBI investigation. And that evidence emerged from the White House tapes, not from pages of the Washington Post.

Sullivan’s myth-embracing claims in Columbia Journalism Review represent something of a break with views of the Post‘s Watergate principals, who insisted over the years that the newspaper did not take down Nixon.

Katharine Graham, the Post’s publisher during Watergate, said in 1997, for example:

“Sometimes, people accuse us of bringing down a president, which of course we didn’t do. The processes that caused [Nixon’s] resignation were constitutional.”

The Post’s executive editor during Watergate, Ben Bradlee, spoke similarly about the newspaper’s role in Watergate, insisting that “it must be remembered that Nixon got Nixon. The Post didn’t get Nixon.” (He was referring to the White House tapes that revealed Nixon’s guilty conduct.)

And Woodward said in an interview in 2004 with the now-defunct American Journalism Review:

“To say that the press brought down Nixon, that’s horseshit.”

Graham, Bradley, and Woodward in his earthy way all were correct.

To roll up a scandal of Watergate’s dimensions, as I wrote in my media-mythbusting book Getting It Wrong, “required the collective if not always the coordinated forces of special prosecutors, federal judges, both houses of Congress, the Supreme Court, as well as the Justice Department and the FBI.”

And against the tableau of subpoena-wielding investigators, the contributions of Woodward and Bernstein recede in significance.

It surely is not excessive, in discussing the heroic-journalist myth, to include a reminder of the ethical lapses Woodward and Bernstein committed in pursuing the Watergate story. These lapses are typically forgotten these days, even though some of them were acknowledged in All the President’s Men, the book about their Watergate reporting.

Woodward and Bernstein recounted in the book their failed attempts to entice federal grand jurors to violate oaths of secrecy and discuss testimony the grand jurors had heard about Watergate.  The reporters conceded these efforts were “a seedy venture” that nonetheless had the approval of top editors at the Post, including Bradlee.

According to  All the President’s Men, Woodward “wondered whether there was ever justification for a reporter to entice someone across the line of legality while standing safely on the right side himself.” Such qualms notwithstanding, they went ahead with what they described as a “clumsy charade with about half a dozen members of the grand jury.”

The overtures to grand jurors to violate secrecy commitments were soon reported to federal prosecutors who in turn informed John Sirica, chief judge of U.S. District Court in the District of Columbia.

“John Sirica is some kind of pissed at you,” the Post’s lawyer, Edward Bennett Williams, told the reporters, according to All the President’s Men. “We had to do a lot of convincing to keep your asses out of jail.”

Bernstein also acknowledged in All the President’s Men that he sought and obtained information from otherwise private telephone records. It was, as media critic Jack Shafer once wrote, a matter of Bernstein’s having knowingly crossed an ethical line.

And in an interview with CBS News in 2004, Woodward and Bernstein acknowledged having ratted out an FBI source to his superior.

“So you deliberately blew a source,” said David Martin, the CBS interviewer. “What’s the ethics of that?”

“Probably not terribly good,” Bernstein replied.

WJC

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WaPo’s ‘five myths’ feature about Vietnam ignores ‘Cronkite Moment,’ Nixon ‘secret plan,’ ‘Napalm Girl’

In 'Napalm girl', Cronkite Moment, Debunking, Media myths, Washington Post on October 2, 2017 at 5:34 pm

You might think that a collection of leading myths about the Vietnam War surely would include the “Cronkite Moment.”

LBJ: Not tuned to Cronkite

Or would cite the hoary claim that Richard Nixon during his run for the presidency in 1968 touted a “secret plan” to end the war.

Or would address the mistaken notion that American warplanes dropped the napalm that burned Kim Phuc, the girl at the center of the “Napalm Girl” photograph taken in 1972.

Those are the three most prominent, persistent, and popular media myths about Vietnam.

Yet none of them figured in the Washington Post’s rundown, published yesterday, discussing five “deeply entrenched myths” about the war.

The Post’s compilation, which was pegged to the recent 18-hour PBS documentary series about Vietnam, included such “myths” as: “The refugees who came to the U.S. were Vietnam’s elite” and “American soldiers [in Vietnam] were mostly draftees.”

To be sure, those are not unimportant aspects of the war. But “deeply entrenched myths”? Maybe.

But maybe not.

They’re certainly not invoked as frequently as the mythical “Cronkite Moment” of February 1968, when Walter Cronkite’s downbeat, on-air assessment about Vietnam supposedly came as an epiphany to President Lyndon B. Johnson. Upon hearing Cronkite’s characterization, Johnson, it is said, recognized that his war policy was in tatters.

But as I discuss in my media-mythbusting book, Getting It Wrong, Johnson did not see the Cronkite program when it aired on February 27, 1968. The president at the time was at a black-tie birthday party in Austin, Texas. And it is not clear when, or whether, Johnson watched the program on videotape at some later date.

Not only that, but Johnson publicly doubled down on his Vietnam policy in the days and weeks after Cronkite’s program.

The president remained conspicuously hawkish on the war at a time when Cronkite’s views should have been most potent and influential. Instead, Johnson in effect brushed aside Cronkite’s pessimism and sought to rally popular support for the flagging war effort.

Besides, what Cronkite said — that the U.S. war effort was “mired in stalemate” — was hardly a novel or shattering analysis. “Stalemate” had been invoked in the American press for months to characterize the conflict.

That Nixon had a “secret plan” to end the war, but wouldn’t say what it was during his campaign in 1968, is another tenacious myth.

What ‘secret plan’?

The anecdote seems superficially plausible, given Nixon’s inclination to deceit and duplicity.

But it’s a campaign pledge he never made. (William Safire, a former Nixon speechwriter and columnist for the New York Times, periodically called attention to the “secret plan” myth, once observing: “Like the urban myth of crocodiles in the sewers, the [Nixon] non-quotation never seems to go away ….”)

Nixon never made a “secret plan” part of his campaign. In fact, he pointedly and publicly disavowed such a notion. In an article published March 28, 1968, in the Los Angeles Times, Nixon was quoted as saying he had “no gimmicks or secret plans” for Vietnam.

“If I had any way to end the war,” he was further quoted as saying, “I would pass it on to President Johnson.”

Had Nixon claimed during the 1968 campaign to possess a “secret plan” for Vietnam, the country’s leading newspapers inevitably would have seized on the claim and publicized it.

They didn’t.

Ut: Took the ‘Napalm Girl’ photo

The myths of the “Napalm Girl” surely have become “deeply entrenched” since the photograph was taken in June 1972 by Nick Ut of the Associated Press. Prominent among those myths is that the napalm was dropped by U.S. warplanes.

In fact, the attack was carried out by A-1 Skyraiders of the South Vietnamese Air Force, as news reports at the time made clear.

The myth of U.S. culpability nonetheless took hold years ago, misappropriated to illustrate the consequences of America’s intervention in Vietnam. But as I write in Getting It Wrong, “to make that argument is to misrepresent the photograph, distort its meaning, and garble the circumstances of its making.”

And for sure, the photograph has been often misrepresented.

Related myths have it that “Napalm Girl” was so powerful it turned American public opinion against the war (it didn’t), that it hastened an end to the war (the conflict went on till April 1975), and that it appeared on the front pages of newspapers across the country (page-one display was far from unanimous).

It’s worth noting that yesterday’s compilation was not the first time that a “five myths” rundown in the Post ignored obvious candidates.

An essay published in May about five “most persistent” myths of Watergate unaccountably overlooked the scandal’s most prominent and tenacious myth — that the Post’s own reporting brought down Nixon’s corrupt presidency.

WJC

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No, ‘Politico’ — Viewer-listener disagreement is a myth of JFK-Nixon debate

In Anniversaries, Debate myth, Debunking, Error, Media myths, Television on September 26, 2017 at 1:31 pm

Fifty-seven years ago tonight, John F. Kennedy and Richard M. Nixon met in the first-ever televised debate between major party presidential candidates.

Not everyone thought he looked awful: Nixon debating, 1960
(AP photo)

Soon enough, a hardy media myth grew up around the 1960 debate: It’s a robust trope that says radio listeners thought Nixon won while television viewers favored Kennedy.

Politico is the latest media outlet to give expression to the myth (or at least to its juiciest half).

An essay posted today declares that “most people who heard the debate on the radio, which focused on domestic issues, thought Nixon had won. But Nixon’s sickly image counted for more; most viewers focused on what they saw and not on what they heard.”

What’s remarkable about this hoary media myth is that it persists despite its thorough dismantling 30 years ago by David Vancil and Sue D. Pendell.

They noted in a journal article that evidence for viewer-listener disagreement is thin, flawed, and anecdotal. Moreover, no public opinion surveys conducted in the immediate aftermath of the debate were aimed specifically at gauging reactions radio audiences.

Getting it excruciatingly wrong about Hearst, Remington, Cuba, and war

In 1897, Debunking, Error, Furnish the war, Media myths, Quotes, Spanish-American War, Year studies, Yellow Journalism on August 14, 2017 at 9:01 am

William Randolph Hearst died 66 years ago today but remains a bogeyman of American media, routinely accused of journalistic misconduct such as fomenting the Spanish-American War in 1898, after vowing to a prominent artist that he would do just that.

Such claims of Hearst’s misconduct are nonsense: They are the stuff of media myth. Enduring media myth, in fact — as made clear by a rambling column posted the other day at the Los Angeles CityWatch site.

Hearst, gone these 66 years

The column demonstrates how excruciatingly wrong accounts of history can sometimes be.

Here are excerpts from the column, with inaccuracies and dubious claims highlighted in bold.

  • Hearst literally cooked up a war with Spain so he could increase his circulation. … That war was called the Spanish American War and was over pretty much after it started.
  • [Hearst’s journalism] was called “Yellow Journalism” mainly because the front page was printed on yellow paper.
  • The name “Yellow Journalism” came to mean those items or events that possibly held a germ of truth but were greatly exaggerated.
  • Famed western illustrator, sculptor and writer Frederic Remington worked for Hearst at the time. He went to Cuba to take pictures of all the horrible things Spain was doing it to Cuban citizens, but he couldn’t find a lot to photograph. Hearst reportedly told him, ‘You furnish the pictures and I’ll furnish the war.'”

Let’s address those inaccuracies and flawed claims in turn.

Hearst stands wrongly accused of having brought on the war with Spain in 1898, as I discussed in detail in my book, Yellow Journalism: Puncturing the Myths, Defining the Legacies. The war, I noted, was “the result of a convergence of forces far beyond the control or direct influence of … Hearst’s New York Journal,” the leading exemplar of what then was known as “yellow journalism.”

Claims that yellow journalism brought on the war, I wrote, “are exceedingly media-centric, often rest on the selective use of evidence, and tend to ignore more relevant and immediate factors that give rise to armed conflict.”

In 1898, those factors centered around a diplomatic impasse between the United States and Spain over Spanish rule of Cuba, the scene of an islandwide rebellion since early 1895.

In a failed attempt to put down the rebellion, Spanish authorities sent as many as 200,000 troops to the island and imposed a policy called “reconcentration,” which moved thousands of Cubans — mostly old men, women, and children — into garrison towns where they could offer neither support nor supplies to the rebels.

Spain’s “reconcentration” policy gave rise to malnutrition and disease: Tens of thousands of Cuban non-combatants died from illness and starvation.

It turned into a humanitarian disaster that “inevitably stirred outrage and condemnation in the United States,” I wrote in Yellow Journalism. The desperate conditions on Cuba were in 1897 and early 1898 a frequent topic of reporting in the American press — including, but certainly not limited to, the Hearst press.

What’s clear is that the yellow press reported on, but it did not create, the terrible hardships of Spain’s “reconcentration” policy.

As leading historian of that period, Ivan Musicant, correctly observed, the abuses and suffering created by that policy “did more to bring on the Spanish-American War than anything else the Spanish could have done.”

In the end, the humanitarian crisis on Cuba, and Spain’s inability to resolve the crisis, weighed decisively in the U.S. decision to go to war in 1898. The content of the yellow press was a non-factor.

Almost always ignored in claims that Hearst brought about the war is any explanation about how newspaper content accomplished the trick: By what mechanism was Hearst’s newspaper content transformed into policy and military action?

It is left unaddressed because there was no such mechanism. Hearst did not “literally” cook up war with Spain.

Nor was the term “yellow journalism” inspired by the color of front page newsprint. Nothing of the sort.

Wardman: He gave us ‘yellow journalism’

“Yellow journalism” was a sneer, coined by Ervin Wardman, a fastidious, Hearst-hating editor of the old New York Press. Wardman loathed what Hearst called “New Journalism” and took to experimenting with pithy turns of phrase to denigrate the flamboyant style.

In a one-line editorial comment in the Press in January 1897, Wardman suggested calling it “Nude Journalism,” to suggest that Hearst’s journalism was bereft of morals and decency.

Wardman soon landed on “yellow-kid journalism,” a term in part inspired by the popular comic running at the time in Hearst’s Journal and in the rival New York World of Joseph Pulitzer. Both newspapers carried version of the comic which featured a wise-cracking urchin of the slums typically called the “Yellow Kid.”

At the end of January 1897, “yellow-kid journalism” was modified to “the Yellow Journalism,” and the sneer was born.

“Yellow journalism,” as practiced in the late 19th century, was defined by much more than exaggeration. Indeed, it was a genre characterized by:

  • the frequent use of multicolumn headlines that sometimes stretched across the front page.
  • a variety of topics reported on the front page, including news of politics, war, international diplomacy, sports, and society.
  • the generous and imaginative use of illustrations, including photographs and other graphic representations such as locator maps.
  • bold and experimental layouts, including those in which one report and illustration would dominate the front page. Such layouts sometimes were enhanced by rudimentary use of color.
  • a tendency to rely on anonymous sources, particularly in dispatches of leading reporters.
  • a penchant for self-promotion, to call attention frequently to the newspaper’s accomplishments. This tendency was notably evident in crusades against monopolies and municipal corruption.

Given those features, I noted in Yellow Journalism, the genre “certainly could not be called predictable, boring, or uninspired—complaints of the sort that are frequently raised about U.S. newspapers of the early twenty-first century.”

No media myth in American journalism is more enduring than that of Hearst’s purported vow to “furnish the war” with Spain.

It supposedly was contained in a telegram to the artist, Frederic Remington, who went to Cuba for Hearst’s Journal in January 1897. Remington was an artist, sculptor, and writer: He was no photographer. His assignment in Cuba to draw illustrations of the rebellion against Spanish rule, the precursor to the Spanish-American War.

As myth has it, Remington before leaving sent a telegram to Hearst, saying, “Everything is quiet. There will be no war. I wish to return.”

In reply, Hearst’s supposedly stated:

“Please remain. You furnish the pictures, and I’ll furnish the war.”

The anecdote of the Remington-Hearst exchange lives on, as I note in my media-mythbusting book, Getting It Wrong, “despite a nearly complete absence of supporting documentation.”

It lives on “even though Hearst denied ever sending such a message,” I wrote. “It lives on despite an irreconcilable internal inconsistency: it would have been absurd for Hearst to vow to ‘furnish the war’ because war — specifically, the Cuban rebellion against Spain’s colonial rule — was the very reason he sent Remington to Cuba in the first place.”

Not only that, I added, but Spanish control and censorship of the cable traffic in Havana “was too vigilant and severe to have allowed such an exchange to go unnoticed and unremarked upon. A vow such as Hearst’s to ‘furnish the war’ surely would have been intercepted and publicized by Spanish authorities as a clear-cut example of Yankee meddling in Cuba.”

Debunking the Hearstian vow is the subject of Chapter One in Getting It Wrong; the chapter may be accessed here.

WJC

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Rare sighting: Prominent media myths in back-to-back paragraphs

In Cronkite Moment, Debunking, Error, Media myths, New York Times, Newspapers, Television on August 5, 2017 at 8:40 am

I noted the other day how unusual it is to find two media myths incorporated into the same article or essay. A media myth twofer, as it were.

An essay posted yesterday at the Daily Beast accomplishes a feat even more rare: Prominent media myths in back-to-back paragraphs.

February 28, 1968

The Beast’s essay recounts President Lyndon Johnson’s purported reaction to Walter Cronkite‘s special report in 1968 about the Vietnam War and invokes the hoary myth of Richard Nixon’s mythical “secret plan” to end the conflict.

Specifically, the essay says “the iconic CBS News anchor Walter Cronkite returned from a week-long reporting trip to Vietnam and declared the war essentially unwinnable, upending months of false optimism from the administration. ‘If I’ve lost Cronkite, I’ve lost middle America,’ the president said.

“When Richard Nixon rode to the White House proclaiming a ‘secret plan to win the war in Vietnam’ any expected honeymoon with the press did not last long.”

Myth fairly drips from those unsourced claims.

Taking Nixon’s “secret plan” first: Simply put, it’s a campaign pledge Nixon never made.

Had Nixon, during his run for the presidency in 1968, proclaimed to have a “secret plan to win the war in Vietnam,” the country’s leading newspapers surely would have reported it.

They didn’t.

That much is clear from examining search results of a full-text database of leading U.S. daily newspapers in 1968. The titles include the Baltimore Sun, New York Times, Los Angeles Times, Wall Street Journal, Washington Post, and Chicago Tribune.

The search terms “Nixon” and “secret plan” returned no articles during the period January 1, 1967, to January 1, 1969, in which Nixon was quoted as saying he had a “secret plan” for Vietnam. (The search period included the months before, during, and immediately aft Nixon’s 1968 presidential campaign.)

Their silence about a “secret plan” signals it was not a plank of Nixon’s campaign.

Moreover, Nixon pointedly dismissed the suggestion he had a “secret plan.” In an article published in the Los Angeles Times on March 28, 1968, Nixon was quoted as saying he had “no gimmicks or secret plans” for Vietnam.

“If I had any way to end the war,” he was further quoted as  saying, “I would pass it on to President Johnson.” (Nixon’s remarks were made shortly before Johnson announced he would not seek reelection.)

As for Cronkite, he did not exactly say the war “essentially unwinnable” following his reporting trip to what then was South Vietnam.

The anchorman said at the close of a special report on February 27, 1968, that the U.S. military effort was “mired in stalemate” — a decidedly an unremarkable observation.

“Stalemate” had been circulating in the U.S. news media long before Cronkite’s on-air appraisal. In August 1967, for example, R.W. (Johnny) Apple of New York Times reported from Vietnam that the war “is not going well.”

Victory, Apple said in his dispatch, “is not close at hand. It may be beyond reach.”

He also wrote:

“‘Stalemate’ is a fighting word in Washington. President Johnson rejects it as a description of the situation in Vietnam. But it is the word used by almost all Americans here, except the top officials, to characterize what is happening.”

Apple’s downbeat analysis was published on the Times’ front page beneath the headline:

Vietnam: The Signs of Stalemate.”

As I discuss in my media-mythbusting book, Getting It Wrong, Cronkite hedged in his closing remarks on February 27, 1968. He “held open the possibility,” I write, “that the U.S. military efforts might still force the North Vietnamese to the bargaining table and suggested the U.S. forces be given a few months more to press the fight in Vietnam” in the aftermath of the Tet offensive, a coordinated assault launched by the communist North Vietnamese and their Viet Cong allies across South Vietnam at the end of January 1968.

Here’s what Cronkite said in his equivocal conclusion:

“On the off chance that military and political analysts are right, in the next few months we must test the enemy’s intentions, in case this [Tet offensive] is indeed his last big gasp before negotiations. But it is increasingly clear to this reporter that the only rational way out then will be to negotiate, not as victors, but as an honorable people who lived up to their pledge to defend democracy, and did the best they could.” (Emphasis added.)

LBJ: Not watching Cronkite

Notably, Johnson did not see Cronkite’s report when it aired.

The president at the time was in Austin, Texas, attending a black-tie birthday party for Governor John Connally (see photo nearby), and there is no certain evidence as to whether, or when, the president may have viewed the program on videotape.

As such, Johnson’s purported downbeat reaction — “If I’ve lost Cronkite, I’ve lost middle America” — is suspect. Especially so because Johnson did not alter his Vietnam policy in the days and weeks immediately after Cronkite’s report.

In fact, he doubled down on that policy, mounting an aggressive and assertive defense of his war policy that made clear he had not taken the anchorman’s message to heart — if he even heard it.

Just three days after the program aired, Johnson vowed in remarks at a testimonial dinner that the United States would “not cut and run” from Vietnam. “We’re not going to be Quislings,” the president declared, invoking the surname of a Norwegian politician who had helped the Nazis take over his country. “And we’re not going to be appeasers.”

At a ceremony at the White House on March 12, 1968, at which he awarded Medals of Honor to two Marines, Johnson stated:

“I think if we are steady, if we are patient, if we do not become the willing victims of our own despair [about Vietnam], if we do not abandon what we know is right when it comes under mounting challenge — we shall never fail.”

Johnson spoke about Vietnam with even more vigor in mid-March 1968, telling a meeting of business leaders in Washington:

“We must meet our commitments in the world and in Vietnam. We shall and we are going to win. … I don’t want a man in here to go back home thinking otherwise — we are going to win.”

Two days after that, on March 18, 1968, the president traveled to Minneapolis to address the National Farmers Union convention. He took the occasion to urge “a total national effort to win the war” in Vietnam. Johnson punctuated his remarks by slapping the lectern and declaring:

“We love nothing more than peace, but we hate nothing worse than surrender and cowardice.”

He also said on that occasion that “the time has come when we ought to unite, when we ought to stand up and be counted, when we ought to support our leaders, our government, our men and allies until aggression is stopped, wherever it has occurred.”

He disparaged critics of the war as being ready to “tuck our tail and violate our commitments.”

A day later, in what the Washington Post described as “a brief, tough talk” at the State Department, Johnson declared:

“We have set our course [in Vietnam]. And we will prevail.”

Two days afterward, on March 21, the president said at a Rose Garden ceremony at the White House that the will of America’s Vietnamese allies did not “break under fire” during the recent Tet offensive, adding:

“Neither shall ours break under frustration.”

And on March 25 — nearly a month after Cronkite’s special report — Johnson told an audience of trade unionists:

“Now the America that we are building would be a threatened nation if we let freedom and liberty die in Vietnam. We will do what must be done — we will do it both at home and we will do it wherever our brave men are called upon to stand.”

So in the days and weeks after the Cronkite program, Johnson was adamant in defending his Vietnam policy. He remained, I write in Getting It Wrong, “openly and tenaciously hawkish on the war.” He was similarly adamant about Vietnam on the day Cronkite’s delivered his report.

As I note in Getting It Wrong (an expanded second edition of which is now available), Johnson “invoked Churchillian language” that day at a midday speech in Dallas, saying:

“I do not believe that America will ever buckle” in pursuit of its objectives in Vietnam.

“I believe that every American will answer now for his future and for his children’s future. I believe he will say, ‘I did not buckle when the going got tough.’”

He further declared:

“Thousands of our courageous sons and millions of brave South Vietnamese have answered aggression’s onslaught and they have answered it with one strong and one united voice. ‘No retreat,’ they have said. Free men will never bow to force and abandon their future to tyranny. That must be our answer, too, here at home. Our answer here at home, in every home, must be: No retreat from the responsibilities of the hour of the day.”

Johnson’s speech in Dallas is seldom recalled in discussions about the presumptive “Cronkite Moment.” But it was covered the next day on the front pages of major newspapers, including the Chicago Tribune, New York Times, and Washington Post.

The Los Angeles Times also reported Johnson’s speech on its cover (see image above), beneath a bold, top-of-the-page headline that read:

“NO VIET RETREAT.”

As in all discussions about history, context matters. To embrace the mythical “Cronkite Moment” as accurate is to suspend recognition of context and to ignore what Johnson said about Vietnam before and after Cronkite’s decidedly unoriginal “mired in stalemate” assessment.

WJC

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Salon, ‘Tricky Dick,’ and Nixon’s mythical ‘secret plan’

In Debunking, Error, Media myths, Newspapers on August 1, 2017 at 1:06 pm

Like most media myths, the one about Richard Nixon’s “secret plan” to end the Vietnam War makes for a delicious tale.

It’s engaging, reasonably plausible, and fitting, given that the purported source is Nixon.

But it is, quite simply, erroneous — a pledge Nixon never made.

The anecdote is irresistible, though, given how it fairly oozes cynicism. Salon offered it up today in a tedious and predictable screed about Donald Trump, whom it called “a thermonuclear-enabled bully in the White House.”

Salon’s essay invoked the 1968 presidential campaign, declaring that was “when voters flocked to Richard Nixon because they believed him when he said he had ‘a secret plan’ to end the war in Vietnam. Surprise! The secret plan was several more years of war, featuring the use of napalm against civilian populations and the secret bombing of Cambodia, a war crime if ever there was one. That was how the real ‘Tricky Dick’ nickname took hold.” (Emphases added.)

There’s much to unpack there, including the derivation of “Tricky Dick.”

First, though, “secret plan” was not a plank in Nixon’s campaign in 1968; he touted no such “plan” to end the war.

That much is clear from reviewing the search results of a full-text database of leading U.S. daily newspapers in 1968. They include the New York Times, Los Angeles Times, Baltimore Sun, Wall Street Journal, Washington Post, and Chicago Tribune.

The search terms “Nixon” and “secret plan” returned no articles during the period January 1, 1967, to January 1, 1969, in which Nixon was quoted as saying he had a “secret plan” for Vietnam. (The search period included the months of Nixon’s presidential campaign and its aftermath.)

Had Nixon campaigned in 1968 on a “secret plan” for Vietnam, the country’s leading newspapers surely would have reported it.

Not only that, but Nixon pointedly dismissed the notion. In an article published March 28, 1968, in the Los Angeles Times, Nixon was quoted as saying he had “no gimmicks or secret plans” for Vietnam.

He was further quoted as saying: “If I had any way to end the war, I would pass it on to President [Lyndon] Johnson.” (Nixon’s remarks were made just a few days before Johnson announced he would not seek reelection.)

The “secret plan” anecdote probably stemmed from a speech Nixon made on March 5, 1968, in Hampton, New Hampshire, in which he declared that “new leadership” in Washington would “end the war” in Vietnam.

The wire service United Press International, in reporting Nixon’s remarks, pointed out that the candidate “did not spell out how” he would “end the war.” The UPI account also noted that “Nixon’s promise recalled Dwight D. Eisenhower’s pledge in 1952, when Nixon was his running mate, to end the war in Korea.” Eisenhower was elected president that year.

A New York Times report about Nixon’s speech, published March 6, 1968, said the candidate asserted he “could promise ‘no push-button technique’ to end the war. Nixon also said he was not suggesting ‘withdrawal’ from Vietnam.” A brief follow-on report, published that day in the Times (see image nearby, “Gives Details on Pledge”) quoted Nixon as saying he envisioned military pressure as well as diplomatic, economic, and political efforts in seeking an end to the war.

The derivation of “Tricky Dick,” as applied to Nixon, certainly pre-dates 1968. The sly nickname was in circulation well before then. It appeared in a Wall Street Journal report, published October 15, 1952, about that year’s presidential campaign.

And it was featured in a small headline in the Chicago Tribune in October 1953, above a wire service article about Nixon’s trip to Australia (see image above, “Aussie Reds Hail Nixon As ‘Tricky Dick'”).

The first sighting probably was in 1950, during Nixon’s campaign in California for the U.S. Senate. The 1998 book Tricky Dick and the Pink Lady traced the nickname to a newspaper display ad placed by Democrats in June 1950, on the eve of the California primary.

“Look at ‘Tricky Dick’ Nixon’s Republican Record,” the ad declared.

WJC

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CNN commentary incorporates a rare media-myth twofer

In Cronkite Moment, Debunking, Error, Media myths, Murrow-McCarthy myth, Quotes on July 17, 2017 at 12:05 pm

In an essay that mocks “conservative media” for clinging to an “‘alternative reality’ that fits President Trump’s own narrative,” a high-profile historian writing for CNN completed the unusual feat of working two prominent media myths into a single commentary.

The essay, posted yesterday, speculated that recent criticism by the likes of Charles Krauthammer and Ross Douthat, both of whom are syndicated columnists, may signal significant erosion in Trump’s support among conservatives in the face of suspicions his presidential campaign last year improperly colluded with Russia’s government.

Maybe. But one can argue whether those columnists project much agenda-setting authority. Especially Krauthammer, whose wariness of Trump has long been evident.

In any case, what particularly interests Media Myth Alert is the essay-writer’s invoking persistent myths about Walter Cronkite’s on-air assessment in 1968 that the U.S. war effort in Vietnam was “mired in stalemate” and about Edward R. Murrow’s televised report on Senator Joseph R. McCarthy in 1954.

The writer, Julian Zelizer, set up references to those myths by writing:

“Historically, significant shifts among journalists in how they cover and analyze a story can have major political effects. The media has the power to sway public opinion.”

Perhaps on occasion.

But as I discuss in my media-mythbusting book Getting It Wrong (an expanded second edition of which is out now), media power “tends to be modest, nuanced, diffused, and situational.” Too often, I write, “the ubiquitous presence of the news media is mistaken for power and influence.” (And I note that economist Robert Samuelson has offered similar observations.)

Zelizer, a professor at Princeton University, repeats the hoary claim that Cronkite’s “mired in stalemate” statement, delivered at the close of an hour-long report about Vietnam, had a sudden and visceral influence on President Lyndon B. Johnson.

Zelizer writes:

LBJ wasn’t watching Cronkite

“Watching on one of his television sets in the Oval Office, Johnson told his aides, ‘If I’ve lost Cronkite, I’ve lost Middle America.'”

We know that Johnson did not see the Cronkite report when it aired on February 27, 1968, and there’s no sure evidence when or if he saw the program later on videotape. (The power of this anecdote, I write in Getting It Wrong, “resides in the sudden, unexpected, and decisive effect [Cronkite’s assessment] supposedly had on the president: such an effect would have been absent, or greatly diminished, had Johnson seen the program on videotape at some later date.”)

Johnson was neither in front of television sets that night, nor was he at the Oval Office. He was in Austin, Texas, attending a black-tie birthday party for one of his long-time allies, Governor John Connally Jr.

About the time Cronkite was intoning his “mired in stalemate” assessment — a characterization hardly novel or unprecedented in early 1968 — Johnson was offering light-hearted banter about Connally, saying:

“Today you are 51, John. That is the magic number that every man of politics prays for — a simple majority.”

The president left Austin shortly afterward and later that night boarded Air Force One to return to Washington.

Zelizer’s commentary invokes the Murrow broadcast of March 9, 1954, and says the program “exposed the contradictions and lies of rabid anti-Communist crusader Sen. Joseph McCarthy.”

Exposed?

Not quite.

“It wasn’t as if Americans in early 1954 were hoping for someone to step up and expose McCarthy, or waiting for a white knight like Murrow to tell them what a toxic threat the senator posed,” I write in Getting It Wrong, adding that by March 1954, McCarthy and his red-baiting tactics “were well-known and he had become a target of withering ridicule — a sign of diminished capacity to inspire dread. …

“Long before the See It Now program, several prominent journalists — including the Washington-based syndicated columnist Drew Pearson — had become persistent and searching critics of McCarthy, his record, and his tactics.”

Pearson was an energetic muckraker who openly challenged McCarthy beginning in 1950, shortly after the senator’s speech in West Virginia in which he claimed more than 200 communists had infiltrated the U.S. State Department.

The columnist pointedly dismissed the allegations, writing that they seemed derived from an outdated and discredited list that Congress had examined three years before. Pearson also noted that he had covered the State Department for about 20 years, and during that time he had been “the career boys’ severest critic. However, knowing something about State Department personnel, it is my opinion that Senator McCarthy is way off base.”

Pearson pursued his critical reporting about McCarthy, so angering the senator that he physically assaulted the columnist in December 1950 following a dinner-dance at the exclusive Sulgrave Club in Washington. Not long after that, McCarthy took to the Senate floor to assail Pearson as the “diabolically” clever “voice of international communism,” a “prostitute of journalism,” and a “Moscow-directed character assassin.”

Zelizer’s commentary makes no mention of Pearson and his work to expose McCarthy’s “contradictions and lies” but claims “Murrow’s broadcast was an important moment in Sen. McCarthy’s downfall.”

More accurately, it was very belated in the media’s exposés of McCarthy — as Murrow’s friend and colleague, the CBS commentator Eric Sevareid, pointed out years later.

The See It Now program on McCarthy, Sevareid noted, “came very late in the day. The youngsters read back and they think only one person in broadcasting and the press stood up to McCarthy and this has made a lot of people feel very upset, including me, because that program came awfully late.”

Also of note is that Murrow’s producer and collaborator, Fred Friendly, pointed to another factor in ending McCarthy’s communists-in-government witch hunt — the televised Army-McCarthy hearings in spring of 1954. The hearings centered around allegations that McCarthy’s key associate, Roy Cohn, pressured the Army to grant special treatment to G. David Schine, a former McCarthy aide.

“What made the real difference” in toppling McCarthy, Friendly wrote in his 1967 memoir, “wasn’t the Murrow program but the fact that ABC decided to run the Army-McCarthy hearings. People saw the evil right there on the tube. ABC helped put the mirror up to Joe McCarthy.” (Emphasis added.)

Several weeks after the See It Now program on McCarthy, the New York Post’s television critic, Jay Nelson Tuck, wrote that Murrow was feeling “almost a little shame faced at being saluted for his courage in the McCarthy matter. He said he had said nothing that … anyone might not have said without a raised eyebrow only a few years ago.”

Deep in his essay, Zelizer acknowledges that it is “much too early to tell” whether anti-Trump commentary by some conservative pundits “will turn into something bigger and more sustained, or if the majority of the coverage on these [conservative] outlets remains pro-Trump.” He takes a swipe at those news outlets, citing a New York Times commentary in stating that “most of the conservative media still clings to an ‘alternative reality’ that fits President Trump’s own narrative.”

“Alternative reality”? What are media myths if not expressions of “alternative reality”?

WJC

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In essay about fake news, ‘Vox’ offers up media myth of the ‘Napalm Girl’

In 'Napalm girl', Debunking, Error, Media myths, Newspapers, Photographs on July 6, 2017 at 9:15 pm

In a lengthy essay posted yesterday about “fake news,” the online site Vox summoned a persistent media myth — that of the evocative “Napalm Girl” photograph, taken in Vietnam 45 years ago.

The essay invoked the photograph in discussing how remedies for “fake news” can be worse than the malady.

It ruminated about “potential unintended consequences of cracking down on fake news” and noted the controversy last year over “Facebook’s mishandling of the iconic photo of a naked 9-year-old Vietnamese girl running from the United States’ napalm bombing of her village during the Vietnam War. After a Norwegian author published the photo as part of a commentary on the evils of war, Facebook took the photo down, saying it violated standards regarding nudity on the site.”

Indeed, Facebook goofed up thoroughly in that episode.

But what most interests Media Myth Alert is the essay’s passage about “the United States’ napalm bombing of her village during the Vietnam War.”

That’s an erroneous reference to a misguided aerial bombing on June 8, 1972, during which napalm was dropped near the village of Trang Bang, in what then was South Vietnam.

‘Napalm Girl,’ 1972 (Nick Ut/AP)

Nick Ut of the Associated Press took the memorable photograph of 9-year-old Kim Phuc and other terror-stricken children fleeing the attack. Kim’s arms were outstretched and her face was contorted in agony. Her clothing had been burned away.

The napalm attack was carried out not by the United States but by Skyraider warplanes of the South Vietnamese Air Force, attempting to roust communist forces dug in near the village.

Contemporaneous news accounts were quite clear about who dropped the napalm.

Christopher Wain, a veteran British journalist, wrote in a dispatch for the United Press International wire service, “These were South Vietnamese planes dropping napalm on South Vietnamese peasants and troops.” Donald Kirk of the Chicago Tribune reported the “napalm [was] dropped by a Vietnamese air force Skyraider diving onto the wrong target.”

The headline on the New York Times dispatch from Trang Bang said: “South Vietnamese Drop Napalm on Own Troops.” And the Boston Globe declared: “”S. Viet error kills 20 in napalm inferno.”

The fight at Trang Bang was — as I point out in the new edition of my media-mythbusting book, Getting It Wrong — “an all-Vietnamese encounter.” The notion that U.S. warplanes dropped the napalm that burned Kim Phuc and others is false, but  enduring.

It is one of a number of myths attached to the “Napalm Girl” photograph.

Other myths are that the photograph was so raw and compelling that it hastened an end to the war (in fact it went on until April 1975) and that the image galvanized American public opinion against the conflict (Americans’ views about the war had turned negative in early 1968).

Another myth is that the “Napalm Girl” image appeared on the front pages of newspapers everywhere in the United States.

Many leading U.S. daily newspapers did publish the photograph soon after it was distributed by Associated Press. But many newspapers abstained, perhaps because it showed frontal nudity.

Of 40 leading daily U.S. newspapers included in a review I conducted with a research assistant (all 40 were Associated Press subscribers), 21 titles placed “Napalm Girl” on the front page.

But 14 newspapers examined — more than one-third the sample — did not publish the photograph at all. These titles included the Arizona Republic, Dallas Morning News, Denver Post, Des Moines Register, Detroit Free Press, Newark Star-Ledger, and Pittsburgh Post-Gazette.

Just three of the newspapers examined — the Boston Globe, New York Post, and New York Timesprinted editorials specifically addressing the photograph and its significance.

The editorial in the New York Post asked: “When will this bloodiest and most bestial of wars also be recognized as the monstrous mistake that it is? The picture of the children [fleeing the napalm attack] will never leave anyone who saw it….”

WJC

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Murrow ‘risked his career to confront demagogic Joe McCarthy’? Hardly

In Debunking, Error, Media myths, Murrow-McCarthy myth, Washington Post on July 1, 2017 at 3:01 pm

The sentiments may be noble but the claims — one of them, at least — are dubious.

‘Demagogic’ Joe McCarthy

So it is with a Washington Post commentary this weekend that makes mention of “men and women who defended this country and its values in other ways [than taking up arms]: people like Edward R. Murrow, the broadcaster who risked his career to confront the demagogic Sen. Joe McCarthy; Harvey Milk, who helped pass gay rights legislation in San Francisco before he was assassinated; and Rosa Parks, whose courageous defiance was a spark for the civil rights movement, in which many were killed.”

What most interests Media Myth Alert is the reference to Murrow’s having risked his career in taking on McCarthy — a reference to the broadcaster’s half-hour television program, “See It Now,” in March 1954 that critically examined the senator’s communists-in-government witchhunt.

The show has long since become encrusted with media myth — namely that Murrow’s report exposed McCarthy’s demagoguery and abruptly ended his red-baiting ways.

The notion that Murrow’s career hung in the balance in taking on the bullying senator from Wisconsin was promoted in Good Night, and Good Luck, an overwrought cinematic account of the Murrow-McCarthy confrontation. But in reality, the risks to Murrow were scant by time he took on McCarthy in 1954.

By then, as I discuss in my media-mythbusting book, Getting It Wrong (a second edition of which is out now), Murrow was quite safe.

Murrow

That’s because, as I write, Murrow “was very late in confronting McCarthy” and “did so only after other journalists had challenged the senator and his tactics for months, even years.”

These journalists included the syndicated columnist Drew Pearson, who called out McCarthy’s exaggerations almost as soon as the senator began hurling accusations of communists infiltration of the State Department. That was in February 1950 — years before Murrow’s program on McCarthy.

Pearson certainly wasn’t a much-liked journalist; he was an aggressive, self-important muckraker whom media critic Jack Shafer once described as one of the skuzziest journalists to ever write a story. Pearson, I note, was always “eager to inject himself as a participant in Washington’s political scene.”

But he caught on quickly to McCarthy’s excesses.

Pearson: McCarthy nemesis

I note in Getting It Wrong that “Pearson first wrote about McCarthy’s wild allegations on February 18, 1950, just days after McCarthy had begun raising them. Pearson called McCarthy the ‘harum-scarum’ senator,” and described how the allegations had been discredited years earlier, after having been raised by a Republican congressman from Michigan.

Pearson wrote that “knowing something about State Department personnel, it is my opinion that Senator McCarthy is way off base.”

Pearson also went after McCarthy for his tax troubles in Wisconsin and for a suspicious $10,000 payment from a government contractor. And he likened McCarthy and his tactics to 17th century witchcraft trials in Massachusetts.

All of this angered the headstrong McCarthy who, at a Gridiron Club dinner in Washington in May 1950, approached Pearson, placed a hand on the columnist’s arm and muttered:

“Someday I’m going to get a hold of you and really break your arm.”

The thuggish threat, I write, was a prelude to a brief but violent encounter at the fashionable Sulgrave Club in Washington, D.C.

The Sulgrave, which occupies a late Gilded Age, Beaux-Arts mansion at DuPont Circle, was in the 1950s a hush-hush meeting place for Washington socialites and powerbrokers. “The club prided itself on insuring privacy and permitted no photographers to enter,” I note.

In December 1950, a young socialite named Louise Tinsley (“Tinnie”) Steinman invited both Pearson and McCarthy to join her guests at a dinner-dance at the Sulgrave.

She seated the men at the same table and they traded insults throughout the evening. Pearson and McCarthy “are the two biggest billygoats in the onion patch, and when they began butting, all present knew history was being made,” Time magazine said about their encounter.

“As the evening ended,” I write, “McCarthy confronted Pearson in the Sulgrave’s coat check room. Accounts differ about what happened. Pearson said McCarthy pinned his arms to one side and kneed him twice in the groin. McCarthy said he slapped Pearson, hard, with his open hand. A third account, offered by a radio broadcaster friendly to McCarthy, said the senator slugged Pearson, a blow so powerful that it lifted Pearson three feet into the air.

“Senator Richard Nixon, who also was a guest at Tinnie Steinman’s party, intervened to break up the encounter.”

In his memoir RN, Nixon quoted McCarthy as saying:

“You shouldn’t have stopped me, Dick.”

McCarthy took to the floor of the Senate not long afterward to assail Pearson in speeches that were unalloyed McCarthyism.

He denounced the columnist as the “diabolically” clever “voice of international communism,” a “prostitute of journalism,” and a “Moscow-directed character assassin.”

McCarthy also aimed a threat at Adam Hat Stores Inc., the principal sponsor of Pearson’s Sunday night radio program on NBC. McCarthy declared that “anyone who buys from a store that stocks an Adams [sic] hat is unknowingly contributing at least something to the cause of international communism by keeping this communist spokesman on the air.”

Adam Hat subsequently said it would not renew its sponsorship of Pearson’s radio show, citing “a planned change in advertising media for 1951.”

Pearson later claimed that losing the Adam Hat sponsorship cut his gross radio income to $100,000 from $250,000. “I suppose no one newspaperman suffered more economically than I did from Joe McCarthy,” he mused.

It’s tempting to suggest that the Post’s commentary would have been more apropos had it replaced Pearson for Murrow in saluting “men and women who defended this country and its values.” But, then, the memory of Drew Pearson projects none of the luster of the legendary Ed Murrow.

Also, it’s worth speculating that a keener risk to Murrow’s career and his reputation came in 1956, when he privately advised Adlai Stevenson, the Democratic presidential candidate, on what Murrow’s biographer, A.M. Sperber, called “the finer points of speaking to the camera.”

Sperber wrote in Murrow: His Life and Times that even though the Republican incumbent, Dwight D. Eisenhower, seemed sure to win to reelection,  Murrow agreed “to help the Democrats.”

The Murrow-Stevenson “connection was kept under wraps,” Sperber noted, adding that the “understanding” between the broadcaster and Stevenson’s advisers was that Murrow “was acting as a private citizen,” that his coaching was to be “kept quiet.”

WJC

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