W. Joseph Campbell

Posts Tagged ‘All the President’s Men’

‘Chappaquiddick,’ the movie: Muddled character study

In Cinematic treatments, Media myths, New York Times, Reviews, Scandal, Watergate myth on April 9, 2018 at 9:30 am

Chappaquiddick, the docudrama revisiting Senator Ted Kennedy’s misconduct following a late-night automobile accident in July 1969 that killed his 28-year-old female passenger, was released over the weekend to larger-than-expected audiences and not-bad reviews.

The film’s release also was accompanied by a bit of carping from a Kennedy apologist who characterized Chappaquiddick as a distortion, as bad history.

Such complaints are fair enough, when accurate. Plenty of American history has been distorted by the cinema.

The movie version of All the President’s Men, for example, fueled the media myth that the dogged reporting by Bob Woodward and Carl Bernstein exposed the crimes that brought down Richard Nixon’s presidency in 1974.

More recently, Steven Spielberg’s The Post mythologized the presumed courage of the publisher of the newspaper — the Washington Postthat trailed the New York Times in reporting on the Pentagon Papers, the government’s classified history of U.S. involvement in Vietnam. The Times won a Pulitzer Prize in 1972 for its reporting on the case.

The carping about Chappaquiddick came in a prickly commentary in the Times that claimed the movie “distorts a tragedy” in revisiting Kennedy’s actions leading to the watery death of Mary Jo Kopechne — one of the late Robert Kennedy’s female campaign staffers, six of whom Ted Kennedy and friends invited to party on Chappaquiddick Island off Martha’s Vineyard in mid-July 1969.

Kennedy, who was married, and Kopechne, who was not, left the party together, with the senator behind the wheel of an Oldsmobile sedan.

According to Kennedy’s accounts, he made a wrong turn, drove the sedan down an unpaved road and off a wooden bridge spanning Poucha Pond on Chappaquiddick. The car flipped before landing in the water. Kennedy (played by Jason Clarke) escaped the sunken Oldsmobile and made it back to his hotel room in Edgartown, across a ferry channel from Chappaquiddick.

Kopechne (Kate Mara) died alone inside the car.

The incident — and the success of Kennedy and his minions in thwarting thorough investigations of his conduct — are at the dramatic heart of Chappaquiddick.

If anything, though, the movie shows too little of the fecklessness of local authorities whose deference allowed Kennedy to escape with a suspended two-month jail sentence for leaving the scene of a deadly accident. Power enabled by privilege was Chappaquiddick’s amoral takeaway.

Chappaquiddick would have been a powerful film had it presented a withering, focused look at the privilege and power that got the senator off the hook and safely away from criminal jeopardy.

The Times commentary chafed at the movie’s treatment of Kennedy, whom Massachusetts voters returned to the U.S. Senate seven times after the Chappaquiddick scandal.

“Contrary to the film’s implications,” says the commentary, written by Neil Gabler, “Mr. Kennedy immediately and forever after felt deep remorse and responsibility for the accident; it haunted him. By the end of his life, however, the then white-maned senator had managed to transcend celebrity and emotional paralysis and become what he had long aspired to be: an indispensable legislator whose achievements included the 18-year-old vote, the Americans With Disabilities Act and the Children’s Health Insurance Program.

“His was a large-life, tragic and multidimensional figure, and it could have made, and perhaps someday will make, for an expansive novel or film about sin and redemption,” adds Gabler, who is working on a biography of Ted Kennedy.  Chappaquiddick, he writes, “is not that movie. Instead of excavating Kennedy for larger artistic aims, it eviscerates him for narrow voyeuristic ones.”

How hagiographic. How beside the point.

Chappaquiddick could have been a withering and unsparing examination of a scion of privilege, a national figure who had a long history of drinking to excess and of treating women badly, and who by his own admission acted reprehensibly in the hours after driving the Oldsmobile off the bridge.

As it is, the film is a somewhat muddled character study, in part because of gaps in the narrative — gaps that persist because the senator was never compelled to explain fully what happened on that summer’s night 49 years ago.

Despite it shortcomings and occasional indulgence in dramatic license, the movie presents the incontrovertible main elements of the Kennedy-Chappaquiddick scandal, namely that:

  • Kennedy left the party with a young woman not his wife. Kennedy later said he was driving her to the ferry that would take her to Edgartown and her hotel. But Kopechne left behind at the party her purse and motel room key.
  • Kennedy did not immediately call for help from police or rescue workers after escaping the Oldsmobile in Poucha Pond.
  • Kennedy did not report the accident for 10 hours — until Kopechne’s lifeless body had been found in the submerged sedan.
  • Kennedy’s loyalists sought to pitch the episode as another tragedy for Kennedy’s family.
  • Kennedy was charged only with leaving the scene of an accident, not the far more serious charges of manslaughter or involuntary manslaughter.
  • Kennedy’s ambitions to become president were derailed by Kopechne’s death; he sought the Democratic nomination for president in 1980 but was soundly beaten by the incumbent, Jimmy Carter.

As Leo DaMore wrote in Senatorial Privilege, an incisive and detailed study of Chappaquiddick, “In his pursuit of the presidential nomination, Kennedy had run against Chappaquiddick. And Chappaquiddick had won.”

So why is a movie about the Chappaquiddick scandal worth making nowadays? Principally because Chappaquiddick, and Kennedy’s misconduct, have receded in popular consciousness. Kennedy, who late in his life was celebrated fulsomely as a “lion of the Senate,” lived until 2009, 40 years after Kopechne’s death.

A more honorable man than he would have resigned in July 1969 and left public life.

WJC

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‘The Post’: Bad history = bad movie

In Cinematic treatments, Media myths, New York Times, Newspapers, Reviews, Washington Post on January 2, 2018 at 11:15 am

You might think, as the New York Times pointed out in reviewing Steven Spielberg’s much-praised new movie, The Post, that “shaping a drama around a newspaper that didn’t break the story” would be “an odd path to Hollywood triumphalism.”

And yet, there it is: The Post is a hagiographic treatment about a newspaper, the Washington Post, that was beaten by the New York Times in 1971 in exposing the Defense Department’s voluminous secret history of the Vietnam War, the Pentagon Papers.

After the Times published lengthy articles drawn from the archive, the administration of President Richard M. Nixon obtained a restraining order that barred the newspaper from running further reports about the Papers.

Soon, the Post obtained copies of portions of the archive and began publishing reports of its own until it, too, came under a federal court order to desist. Both newspapers appealed to the U.S. Supreme Court, and at the end of June 1971 won a 6-to-3 verdict lifting the restraints.

The movie’s centerpiece is that the Post and its senior leadership — Katharine Graham, the publisher, and Ben Bradlee, the executive editor — showed great courage in risking jail as they hoisted the banner of press freedom while the Times was prevented from reporting about the Papers.

It’s a heroic statement, but the emphasis is misplaced.

To concentrate on the Post’s subsidiary role in the Pentagon Papers saga is to distort the historical record for dramatic effect. The underlying history is dubious, which means The Post is no success.

How credible, really, was the prospect of jailtime for Graham and Bradlee?

It was the Times that had taken the steepest risks; when it began publishing excerpts from the Papers, the newspaper’s executives couldn’t have known for sure how the Nixon administration might react, even if the Papers had been compiled before Nixon took office in 1969. By the time the Post had obtained portions of the archive, it had to have been fairly clear that the administration would seek to block publication but not attempt to send the newspaper’s principals to jail.

Indeed, Nixon’s early reaction to the disclosures of the Papers was to punish the leaker, later identified as Daniel Ellsberg, rather than go after the press.

That reaction was captured on Nixon’s infamous White House audiotapes, the contents of which sealed his fate in the Watergate scandal a few years later. In a conversation with one his top aides, John Ehrlichman, soon after the Times published its first excerpts, Nixon declared:

Hell, I wouldn’t prosecute the Times. My view is to prosecute the goddamn pricks that gave it to ’em.

That portion in the White House tapes is incorporated into a scene in The Post.

Not only was it unlikely that Nixon would attempt to send Graham and Bradlee to jail for following up the Times’ revelations, it was almost unthinkable that Bradlee would have countenanced any decision other than publish the Post’s excerpts.

Refrain from publishing while the Times was sidelined? Such a prospect was unthinkable to Bradlee, as David Rudenstine made clear in his study of the case, The Day the Presses Stopped.

“In Bradlee’s mind,” Rudenstine wrote, “not publishing was tantamount to being a coward, and Bradlee recoiled at the idea. Also, Bradlee actually relished the idea of a court battle with the Nixon administration.”

Elsewhere, Rudenstine noted:

“Bradlee was at fever pitch over the idea of publication. The Post was at a crucial stage in its development. It had steadily gained strength over the years. It now had the resources and the talent to become a major national newspaper,  and the Pentagon Papers would allow the Post to take a giant stride toward its goal. … If the Post did not publish, everyone would assume that — unlike the Times — the Post was intimidated by Nixon and [John] Mitchell,” the U.S. attorney general.

Spielberg’s movie captures only some of that thinking. Bradlee is played by Tom Hanks, who turns in a mediocre performance.

Hanks’ Bradlee is rumpled and sometimes speaks in a strange accent of undetermined derivation. It seems vaguely Southern.

Whatever. The accent is a clumsy distraction, and it inevitably brings to mind Jason Robards’ highly polished, Oscar-winning portrayal of Bradlee in All the President’s Men, another cinematic treatment of the journalist as hero — one that deepened media myths about the Post’s Watergate reporting.

Hanks in The Post is no Robards.

Spielberg’s movie is transparently a vehicle for Meryl Streep, who plays Katharine Graham. But not especially well or convincingly.

The Post is hardly Streep’s finest role. Or even her finest media role. She was far better playing an icy editor of a fashion magazine in The Devil Wears Prada.

Streep’s Graham is an often-confused, sometimes-simpering woman keenly unsure of herself even though she had overseen the newspaper for nearly eight years by the time the Pentagon Papers broke.

Streep: Icy in ‘Prada’

Her portrayal of Graham is cloying and unpersuasive. For most of the movie, Graham is overwhelmed by the responsibilities and challenges of being publisher. As the Pentagon Papers break, Graham and her advisers were about to make a public offering of $35 million in Post shares; running excerpts from the archive could complicate those plans.

But abruptly, during an internal debate about whether the Post should publish its reports about the Papers, Graham finds backbone. She brushes aside objections from lawyers and investment bankers and says, yes, go ahead. Publish.

It seems all so cliched.

By focusing on Graham and her character development, Spielberg can justify making the movie about the Post. But ultimately there’s no escaping the newspaper’s lesser role in the Pentagon Papers case.

The Papers wasn’t the Post’s story. On that one, the Post moved in a slipstream created by the Times.

Times executives and reporters make infrequent appearances in The Post, but Spielberg mostly portrays them as secretive, suspicious, not especially likable, and not very heroic. But they were the men who obtained the Papers, devoted three months to a painstaking review of the contents, and took on the risks by publishing them first.

That’s the better story. And more accurate.

The Post clearly attempts to assert the importance of a free and searching press these days, during the presidency of Donald Trump, who has little love for the news media, as they have little for him. The not-so-subtle messaging brought to mind a lengthy essay about Hollywood and history, written years ago by Richard Bernstein and published in the Times.

Among other topics, Bernstein addressed “the transformation of movie makers and actors into commentators and philosophers,” and observed:

“Of course, movie makers have the right to their opinions, just like anyone else. What is disturbing is the public’s granting to them — and to the enormously powerful medium they control — a special role to comment on both our past and our present.”

It is faintly amusing to note, in reading Bernstein’s commentary these days, how little controversy is stirred any more when movie makers openly and routinely assume the mantle of commentator and advocate.

WJC

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WaPo media writer embraces Woodward-Bernstein Watergate myth

In Debunking, Error, Media myths, Scandal, Washington Post, Watergate myth on October 7, 2017 at 7:58 am

A dozen years ago, just after Watergate’s famous anonymous source, “Deep Throat,” had outed himself, the Washington Post’s ombudsman, Michael Getler, offered a timeless reminder about Watergate and the forces that ended Richard Nixon’s presidency in 1974.

“Ultimately,” Getler wrote in his column, “it was not The Post, but the FBI, a Congress acting in bipartisan fashion and the courts that brought down the Nixon administration.”

Nixon quits: Not the Post’s doing

Now, one of Getler’s distant successors at the Post, media columnist Margaret Sullivan, has returned to the lessons of Watergate and in doing so embraced the heroic-journalist trope that the Post and its then-young reporters Bob Woodward and Carl Bernstein were crucial to bringing down Nixon’s corrupt presidency.

Writing in the latest number of Columbia Journalism Review, Sullivan asserts that Woodward and Bernstein  “uncovered the Nixon administration’s crimes and the cover-up that followed. In time, their stories helped to bring down a president who had insisted, ‘I am not a crook.'”

There’s a lot of myth in those unsourced claims.

Let’s unpack them.

First, it’s hard to credit Woodward and Bernstein with having “uncovered” the crimes of Watergate. The scandal’s seminal crime — the thwarted break-in at headquarters of the Democratic National Committee in mid-June 1972 — was at first a police beat story.

The Post and other news organizations reported on the foiled break-in the day after it happened. The Post’s article carried the byline of Alfred E. Lewis; Woodward and Bernstein were listed among the story’s contributors.

The decisive crime of Watergate, the one that brought Nixon’s downfall, was his obstructing justice in attempting to divert the FBI’s investigation of the break-in.

Nixon’s obstruction most certainly was not “uncovered” by Woodward and Bernstein. It was disclosed not long before Nixon resigned, in the release of a previously secret White House tape on which the president is heard approving the diversion scheme.

Nor did Woodward and Bernstein reveal the Nixon’s administration’s cover-up of the Watergate burglary.

That much was made quite clear long ago, in a mostly hagiographic account published, yes, in the Columbia Journalism Review in summer 1973, about a year before Nixon quit.

The journalism review lauded Woodward, Bernstein, and their editors at the Post in an article titled, “The Washington ‘Post’ and Watergate: How two Davids slew Goliath.” The subtitle referring to Woodward and Bernstein as “two Davids” was an early expression of the heroic-journalist interpretation that has long since became the dominant narrative of Watergate.

Deep in the article was a passage saying that Woodward and Bernstein had “missed perhaps the most insidious acts of all — the story of the coverup and the payment of money to the Watergate defendants [charged and tried in the burglary] to buy their silence.”

The article quoted Woodward as saying about the cover-up:

“It was too high. It was held too close. Too few people knew. We couldn’t get that high.”

The article also pointed out, correctly:

“The Post did not have the whole story [of Watergate] by any means.”

That observation was effectively confirmed while the issue of Columbia Journalism Review was in circulation: In mid-July 1973, a former White House aide, Alexander Butterfield, told the Senate select committee investigating Watergate that Nixon secretly taped his Oval Office conversations, starting in 1971.

It was an explosive disclosure, a pivotal development — and a story that Woodward and Bernstein did not break.

So can it be said their Watergate stories, which won a Pulitzer Prize for the Post in 1973, also “helped to bring down a president,” as Sullivan claims? Maybe marginally, very marginally. At best.

What ended Nixon’s presidency was clear evidence that he had approved the plan, brought to him in June 1972 by his top aide, H.R. Haldeman, to divert the FBI investigation. And that evidence emerged from the White House tapes, not from pages of the Washington Post.

Sullivan’s myth-embracing claims in Columbia Journalism Review represent something of a break with views of the Post‘s Watergate principals, who insisted over the years that the newspaper did not take down Nixon.

Katharine Graham, the Post’s publisher during Watergate, said in 1997, for example:

“Sometimes, people accuse us of bringing down a president, which of course we didn’t do. The processes that caused [Nixon’s] resignation were constitutional.”

The Post’s executive editor during Watergate, Ben Bradlee, spoke similarly about the newspaper’s role in Watergate, insisting that “it must be remembered that Nixon got Nixon. The Post didn’t get Nixon.” (He was referring to the White House tapes that revealed Nixon’s guilty conduct.)

And Woodward said in an interview in 2004 with the now-defunct American Journalism Review:

“To say that the press brought down Nixon, that’s horseshit.”

Graham, Bradley, and Woodward in his earthy way all were correct.

To roll up a scandal of Watergate’s dimensions, as I wrote in my media-mythbusting book Getting It Wrong, “required the collective if not always the coordinated forces of special prosecutors, federal judges, both houses of Congress, the Supreme Court, as well as the Justice Department and the FBI.”

And against the tableau of subpoena-wielding investigators, the contributions of Woodward and Bernstein recede in significance.

It surely is not excessive, in discussing the heroic-journalist myth, to include a reminder of the ethical lapses Woodward and Bernstein committed in pursuing the Watergate story. These lapses are typically forgotten these days, even though some of them were acknowledged in All the President’s Men, the book about their Watergate reporting.

Woodward and Bernstein recounted in the book their failed attempts to entice federal grand jurors to violate oaths of secrecy and discuss testimony the grand jurors had heard about Watergate.  The reporters conceded these efforts were “a seedy venture” that nonetheless had the approval of top editors at the Post, including Bradlee.

According to  All the President’s Men, Woodward “wondered whether there was ever justification for a reporter to entice someone across the line of legality while standing safely on the right side himself.” Such qualms notwithstanding, they went ahead with what they described as a “clumsy charade with about half a dozen members of the grand jury.”

The overtures to grand jurors to violate secrecy commitments were soon reported to federal prosecutors who in turn informed John Sirica, chief judge of U.S. District Court in the District of Columbia.

“John Sirica is some kind of pissed at you,” the Post’s lawyer, Edward Bennett Williams, told the reporters, according to All the President’s Men. “We had to do a lot of convincing to keep your asses out of jail.”

Bernstein also acknowledged in All the President’s Men that he sought and obtained information from otherwise private telephone records. It was, as media critic Jack Shafer once wrote, a matter of Bernstein’s having knowingly crossed an ethical line.

And in an interview with CBS News in 2004, Woodward and Bernstein acknowledged having ratted out an FBI source to his superior.

“So you deliberately blew a source,” said David Martin, the CBS interviewer. “What’s the ethics of that?”

“Probably not terribly good,” Bernstein replied.

WJC

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WaPo’s ‘myths about Watergate’ article ignores the scandal’s best-known mythical narrative

In Debunking, Error, Media myths, Washington Post, Watergate myth on May 22, 2017 at 12:49 pm

The Washington Post’s commentary section yesterday presented a rundown about five “most persistent” myths of Watergate.

Trouble is, the article unaccountably ignored the scandal’s most prominent and tenacious myth — that the Post’s reporting brought down Richard Nixon’s corrupt presidency.

Instead, the article addressed hackneyed claims such as “Watergate was politics as usual; Nixon just got caught” or obscure arguments such as “Nixon could have quieted the scandal by firing employees.” The sort of stuff few people find especially compelling.

Washington Post illustration

What many people do embrace is a claim often repeated in the news media in America and abroad.

And that is the heroic-journalist interpretation of Watergate, the mythical go-to narrative that the Post and its intrepid reporters, Bob Woodward and Carl Bernstein, unearthed the incriminating evidence that forced Nixon to resign in disgrace in August 1974.

It’s a hardy, media-centric trope that pops up frequently in news outlets both prominent and relatively obscure.

It’s also a narrative rejected by those who ran the Post as the scandal unfolded from 1972-74.

For example, Katharine Graham, the newspaper’s publisher at the time, insisted that the Post did not topple Nixon. “Sometimes people accuse us of bringing down a president, which of course we didn’t do,” she said in 1997. “The processes that caused [Nixon’s] resignation were constitutional.”

Woodward has concurred, if in earthier terms, telling an interviewer in 2004:

To say that the press brought down Nixon, that’s horseshit.”

As I point out in my media-mythbusting book, Getting It Wrong (an expanded second edition of which is out now), credit for bringing down Nixon belongs to the federal investigators, federal judges, federal prosecutors, bipartisan congressional panels, the Supreme Court, and others who investigated the scandal and compelled the testimony and uncovered the evidence that led to Nixon’s resignation.

Against that tableau, I write in Getting It Wrong, “the contributions of Woodward and Bernstein were at best modest, and certainly not decisive.”

The “myths of Watergate” article published yesterday made its nearest approach to the heroic-journalist narrative in addressing the notion that Woodward’s high-level secret source, code-named “Deep Throat,” was “pivotal to Nixon’s downfall.”

Of course he wasn’t.

Deep Throat” was self-revealed in 2005 as W. Mark Felt who, for a time, had been second in command at the FBI.

Felt conferred with Woodward periodically in 1972 and 1973, sometimes in a parking garage in the Washington suburb of Rosslyn, Virginia. Typically, “Deep Throat” passed on to Woodward, or confirmed for him, piecemeal evidence about the scandal as it unfolded. At least that’s the version Woodward offered in The Secret Man, his book about Felt.

A far more prominent Watergate myth about “Deep Throat” is that he advised Woodward to “follow the money” in unlocking the intricacies of Watergate.

Follow the money” may be the single best-known quotation associated with Watergate (rivaled, perhaps, by Nixon’s statement in November 1973 that he was “not a crook”).

“Follow the money” was born of dramatic license, a line written into the screenplay of All the President’s Men, the cinematic version of Woodward and Bernstein’s eponymous book about their Watergate reporting.

“Follow the money” was memorably uttered by the actor Hal Holbrook, who in the movie was outstanding in playing a conflicted, twitchy, and tormented “Deep Throat.”

Holbrook delivered his “follow the money” lines with such assurance and confidence that it seemed to offer a roadmap to understanding and unraveling Watergate.

But even if Woodward had been counseled in real life to “follow the money,” the advice would have taken him only so far.

It wouldn’t have led him to Nixon.

What forced Nixon from office was not the mishandling of funds raised for his presidential reelection campaign but evidence of his plotting to cover up the signal crime of Watergate, the break-in at the Democratic National Committee headquarters in June 1972.

That evidence was contained in one of the many audiotapes Nixon secretly made of his conversations at the White House from 1971 to 1973. The existence of the tapes was disclosed not by Woodward and Bernstein but by a former White House official, Alexander Butterfield, in testimony before a U.S. Senate select committee in July 1973.

Twelve months later, the Supreme Court ordered Nixon to surrender the tell-tale “Smoking Gun” tape to the Watergate special prosecutor, precipitating the president’s resignation.

WJC

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The heroic-journalist myth of Watergate and its applications

In Debunking, Error, Media myths, Newspapers, Washington Post, Watergate myth on April 28, 2017 at 3:26 pm

The heroic-journalist myth of Watergate — the notion that dogged reporting by Bob Woodward and Carl Bernstein for the Washington Post brought down Richard Nixon’s corrupt presidency — pops up often, and in the service of any number of objectives.

Nixon got Nixon

It is a tale of supposed high accomplishment inspiring to journalists, especially so at a time of sustained retrenchment in their field.

It’s a trope with the intoxicating effect of placing journalists at the decisive center of an exceptional moment in U.S. history.

And it’s a way of paying obsequious tribute to the Washington Post, much as Sky News in Britain did not long ago.

“The Washington Post is one of the world’s great newspapers,” a fawning essay at the Sky’s online site declared, adding:

“Thanks to its investigative reporters Bob Woodward and Carl Bernstein, it can make the unique claim of having brought down an American president — the corrupt Richard Nixon.”

It’s not too difficult to understand why such an extravagant claim circulates so widely.

After all, it is tidy, handy if  terribly misleading shorthand about the sprawling Watergate scandal of 1972-74: It sweeps away complexities of Watergate, rendering the scandal and its thicket of lies and criminality rather easy to grasp. After all, as I noted in the recently published, expanded second edition of my mythbusting book, Getting It Wrong, the Watergate scandal “has grown so distant that few Americans can accurately describe what took place.”

The heroic-journalist myth has become a reductive substitute.

The heroic-journalist interpretation also is a way of saluting Woodward and Bernstein, both of whom are in their 70s. Both, in fact, will highlight this weekend’s White House Correspondents’ Association dinner, where they are to hand out awards and offer remarks about the importance of investigative reporting. (Not surprisingly, their pending joint appearance has stirred fresh retelling of the heroic-journalist myth. The Washington Examiner said the other day, for instance, that Woodward and Bernstein’s “coverage of the Watergate break-in led eventually to former President Richard Nixon’s resignation.”)

In their younger days, Woodward and Bernstein sneered at the correspondents’ association dinner, describing it in All the President’s Men, their 1974 book about Watergate, as “a formal, overdone, alcohol-saturated event, attended by all those with power — or pretensions to power — in the media and government.” Woodward and Bernstein went anyway, in 1973, to collect a couple of prizes.

So over-the-top is the heroic-journalist interpretation of Watergate that not even principals at the Post when the scandal played out — notably the publisher, Katharine Graham, and her top editor, Ben Bradlee — embraced the notion.

“Sometimes people accuse us of bringing down a president, which of course we didn’t do,” Graham said in 1997. “The processes that caused [Nixon’s] resignation were constitutional.”

Also that year, Bradlee said on the Sunday talk show “Meet the Press” that “it must be remembered that Nixon got Nixon. The Post didn’t get Nixon.”

He was referring to the White House audio tapes which Nixon secretly made and which revealed the president’s guilty role in attempting to divert the FBI investigation into the botched burglary of Democratic National Committee headquarters in Washington in June 1972. The breakin touched off the scandal.

And in earthier terms, Woodward concurred, telling an interviewer in 2006:

To say that the press brought down Nixon, that’s horseshit.”

Quite.

WJC

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Gushing about ‘All the President’s Men,’ the movie — and ignoring the myths it propelled

In Anniversaries, Cinematic treatments, Debunking, Media myths, Reviews, Washington Post, Watergate myth on April 18, 2016 at 6:32 am

ATPM movie posterWhen it was released 40 years ago this month, the cinematic version of the Watergate book  All the President’s Men was the topic of soaring reviews.

Vincent Canby wrote in the New York Times that “the real excitement of ‘All The President’s Men’ is in watching two comparatively inexperienced reporters stumble onto the story of their lives and develop it triumphantly, against all odds.” He was referring to Washington Post reporters Bob Woodward and Carl Bernstein who were played in the movie by Robert Redford and Dustin Hoffman, respectively.

The Long Island newspaper Newsday gushed even more, declaring:

“’All the President’s Men’ is a terrific movie – the best film about newspaper reporters ever made, one of the most enjoyable action pictures you’ll see this year and a classic example of how to make an important social and political statement within the framework of an unpretentious detective story whose revelations speak for themselves.”

And so it went for a movie that won four Academy Awards but lost the best-picture Oscar to Rocky.

The gushing for All the President’s Men resumed this month as a variety of media outlets took the occasion of the 40th anniversary to celebrate the film anew.

Michael Gaynor of Washingtonian magazine put together a lengthy oral history about All the President’s Men, which he hailed as the “most defining movie of Washington.” Meanwhile, Newsday posted its 1976 review online.

In a lengthy retrospective for the Los Angeles Review of Books,the associate producer of All the President’s Men, Jon Boorstin, called the movie “a miracle.” He further described it as an “impossible conjunction of talent and opportunity, collaboration and ego, trust, power, and luck. And then more luck.”

And the Washington Post — inclined as it is to bouts of self-absorption — published at its online site a fawning essay that gushed at the granular level, telling us about Woodward and Bernstein’s favorite scenes in All the President’s Men.

What went unmentioned in the anniversary’s nostalgic glow was the movie’s significant contributions to the mythology of Watergate, notably the notion that Woodward and Bernstein‘s reporting — the movie’s centerpiece — brought down the corrupt presidency of Richard M. Nixon in 1974.

The movie portrayed Woodward and Bernstein as central and essential to unraveling the Watergate scandal.

They weren’t.

That they were is a mythical, media-centric trope that emerged long ago as the dominant narrative of Watergate, the principal way of understanding the scandal.

I call it the heroic-journalist myth, a simplistic version that sweeps away the complexities of Watergate, leaving an easy-to-grasp explanation for Nixon’s downfall in August 1974.

The cinematic version of All the President’s Men, as I noted in my 2010 book, Getting It Wrong, promoted this version — what I called an “unmistakable assertion of the power and centrality of the press in Nixon’s fall.

All the President’s Men allows no other interpretation: It was the work Woodward and Bernstein that set in motion far-reaching effects that brought about the first-ever resignation of a U.S. president. And it is a message that has endured,” I wrote.

I further noted in Getting It Wrong that rolling up a scandal of Watergate’s dimensions in fact “required the collective if not always the coordinated forces of special prosecutors, federal judges, both houses of Congress, the Supreme Court, as well as the Justice Department and the FBI.

“Even then,” I wrote, “Nixon likely would have served out his term if not for the audiotape recordings he secretly made of most conversations in the Oval Office of the White House. Only when compelled by the Supreme Court did Nixon surrender those recordings, which captured him plotting the cover-up” of the burglary in June 1972 that was Watergate’s seminal crime.

The movie contributed to Watergate’s mythology in another way: It brought into the vernacular what has become the scandal’s most memorable line — “follow the money.

It’s often said that “follow the money” was sage counsel offered by the stealthy, high-level “Deep Throat” source, with whom Woodward periodically met as the scandal unfolded.

The guidance to “follow the money” supposedly was crucial to Woodward and Bernstein in unraveling the labyrinthine scandal that was Watergate.

Except that it really wasn’t.

The line was written into All the President’s Men for dramatic effect  and spoken by the actor Hal Holbrook who played a marvelously conflicted, raspy, chain-smoking “Deep Throat.”

“Deep Throat” the source never told Woodward to “follow the money.”

WJC

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NYTimes invokes Watergate myth in writeup about journalists and movies

In Anniversaries, Cinematic treatments, Debunking, Error, Media myths, New York Times, Newspapers, Scandal, Washington Post, Watergate myth on January 3, 2016 at 2:03 pm

There’s no doubt Hollywood is an important reason why Watergate’s dominant narrative has it that Bob Woodward, Carl Bernstein, and the Washington Post toppled Richard Nixon’s corrupt presidency.

Not the Post's doing

Not the Post’s doing

It is a heroic narrative that found mention today’s New York Times, in an article discussing two movies about journalists that could be contenders this year for Academy Awards.

One of them is Truth, a perversely titled film that celebrates former CBS News anchor Dan Rather and producer Marla Mapes who in 2004 used bogus documents to claim President George W. Bush dodged wartime service in Vietnam. No way does that movie deserve Oscar consideration. The other contender-film is titled Spotlight.

But what most interests Media Myth Alert is the Times article’s blithe and mistaken reference to “the investigation by Bob Woodward and Carl Bernstein that led to Richard M. Nixon’s resignation.”

Woodward and Bernstein’s Watergate reporting for the Post had no such effect, however much the cinematic version of their book, All the President’s Men, encouraged that notion. As I noted in my 2010 book, Getting It Wrong, the movie promotes an “unmistakable assertion of the power and centrality of the press in Nixon’s fall.

All the President’s Men allows no other interpretation: It was the work Woodward and Bernstein that set in motion far-reaching effects that brought about the first-ever resignation of a U.S. president. And it is a message that has endured.”

Indeed, this year marks the 40th anniversary of the movie’s release and the notion that Woodward and Bernstein toppled Nixon remains the principal way Watergate is understood, a version that disregards and diminishes the far more accurate interpretation of what led to Nixon’s fall in August 1974.

To roll up a scandal of Watergate’s dimensions, I wrote in Getting It Wrong, “required the collective if not always the coordinated forces of special prosecutors, federal judges, both houses of Congress, the Supreme Court, as well as the Justice Department and the FBI.

“Even then, Nixon likely would have served out his term if not for the audiotape recordings he secretly made of most conversations in the Oval Office of the White House. Only when compelled by the Supreme Court did Nixon surrender those recordings, which captured him plotting the cover-up” of the burglary in June 1972 that was Watergate’s seminal crime.

Principals at the Post have, over the years, rejected the simplistic notion that the newspaper’s reporting led Nixon to resign.

Katharine Graham, the Post’s publisher during Watergate, said in 1997, for example:

“Sometimes people accuse us of bringing down a president, which of course we didn’t do. The processes that caused [Nixon’s] resignation were constitutional.”

In 2005, Michael Getler, then the Post’s ombudsman, or in-house critic, wrote:

“Ultimately, it was not The Post, but the FBI, a Congress acting in bipartisan fashion and the courts that brought down the Nixon administration. They saw Watergate and the attempt to cover it up as a vast abuse of power and attempted corruption of U.S. institutions.”

Not even Woodward has embraced the heroic-journalist myth. He once told an interviewer for American Journalism Review:

To say the press brought down Nixon, that’s horse shit.”

And in an interview with the PBS “Frontline” program, Woodward said “the mythologizing of our role in Watergate has gone to the point of absurdity, where journalists write … that I, single-handedly, brought down Richard Nixon. Totally absurd.”

Today’s article wasn’t the first time the Times has turned to the mythical claim about the Post’s Watergate reporting.

In a cover article in 2014, the Times Sunday magazine mentioned Woodward and Bernstein, saying they “actually managed to take down a mendacious American president, and in doing so they came to symbolize the hope and heroism of a new generation.”

And in 2008,in an article about Woodward’s finally introducing his high-level Watergate source to Bernstein, the Times referred to the “two young Washington Post reporters [who] cracked the Watergate scandal and brought down President Richard M. Nixon.”

WJC

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Why is he biopic worthy? Movie planned about Watergate’s ‘Deep Throat’ source

In Cinematic treatments, Debunking, Media myths, Scandal, Washington Post, Watergate myth on November 27, 2015 at 7:22 am

The best-known anonymous source of the Watergate scandal, a former senior FBI official code-named “Deep Throat,” would receive hero’s treatment in a planned biopic, the shooting for which reportedly is to begin in March.

The movie is to be called Felt, the name of the “Deep Throat” source, W. Mark Felt, who cut a checkered career in government service.

Besides being a secret, high-level source for Bob Woodward of the Washington Post, Felt in the early 1970s was the agency’s acting associate director. In that role, he authorized several burglaries as part of the FBI’s investigations into the radical Weather Underground.

Early this month, the Hollywood press was abuzz about the planned Felt biopic. The show business daily, Variety, said the film would be “a spy thriller” in which Felt wages an “isolated and dangerous struggle against the White House.” Shooting the film is to begin in March, Variety said, and Liam Neeson and Diane Lane may fill lead roles.

Felt: Biopic worthy?

Felt: Biopic worthy?

All of which prompts inevitable questions: Why is Mark Felt, who died in 2008, biopic worthy? Even if the movie never makes it to production, why should Felt be considered a hero?

He was no noble figure. Felt was convicted in 1980 of felony charges related to the warrantless break-ins, known in the FBI as “black bag jobs,” and fined $5,000. He was not sentenced to prison for the crimes.

The year after his conviction, Felt was granted an unconditional pardon by President Ronald Reagan.

In its obituary about the former FBI official, the Los Angeles Times recalled that tears welled in Felt’s eyes as he acknowledged on the witness stand having approved secret break-ins by FBI agents between May 1972 and May 1973 — “roughly the same time he was talking to Woodward about Watergate.”

Felt and co-defendant Edward S. Miller justified the warrantless entries on grounds of national security.

The prosecutor in the case, John W. Nields Jr., said at the trial that FBI agents who conducted the breakins Felt approved had entered residences in New York City  and New Jersey, “dressed in old clothes or disguised as telephone repairmen,” according to a New York Times report about the trial.

The agents picked locks or paid cash to landlords to obtain keys, Nields said, and they “searched every room in the home, methodically looking through desks, closets, clothing and private papers for clues to the whereabouts of the Weathermen. With a camera that could be concealed in an attaché case, the agents photographed diaries, love letters, address books and other documents.”

Nields said Reagan’s pardon of Felt and Miller came as a surprise. “Nobody spoke to me about it,” the New York Times quoted him as saying. “I would warrant that whoever is responsible for the pardons did not read the record of the trial and did not know the facts of the case.”

Felt was hardly acting altruistically in passing Watergate-related information to Woodward; their periodic meetings included six in a parking garage in suburban Virginia. I argued in my media-mythbusting book, Getting It Wrong, that the contributions of Woodward and his Post colleague Carl Bernstein in uncovering the Watergate scandal were modest at best and that their reporting in no way can be thought of as having forced President Richard Nixon to resign.

In leaking to Woodward, Felt sought to undercut the acting director, L. Patrick Gray III, and thereby enhance Felt’s chances of being named to the bureau’s top position, as Max Holland persuasively argued in his book, Leak: Why Mark Felt Became Deep Throat. The book makes clear Felt was motivated by ambition in the internal struggle at the FBI to replace J. Edgar Hoover, the long-serving director who died in May 1972.

Felt lost out, and retired in 1973.

Perhaps Felt the movie will collapse in its preliminary stages, which is the fate of many Hollywood projects. A biopic about Mark Felt is a bad idea in any case.

WJC

 

 

 

The hero-journalist trope: Watergate’s go-to mythical narrative

In Cinematic treatments, Debunking, Error, Media myths, Media myths and radio, Reviews, Washington Post, Watergate myth on October 23, 2015 at 6:10 pm

The Watergate scandal of the 1970s produced America’s gravest political crisis of the 20th century.

Nixon got Nixon

Nixon quits

And yet, because Watergate was such an intricate thicket of lies, deceit, and criminality — and because it unfolded more than 40 years ago — a sure understanding of the scandal can be defiantly elusive. Collective memory about the many lines of investigation that unwound Watergate and forced Richard Nixon to resign the presidency has inevitably grown faint.

What endures is the heroic-journalist trope, Watergate’s dominant popular narrative, which rests on the notion that dogged reporting by Bob Woodward and Carl Bernstein of the Washington Post exposed Nixon’s criminal misconduct and forced his resignation. It has become the go-to explanation about how Watergate was exposed, and it is an endlessly appealing interpretation.

It also is a prominent media-driven myth.

Which takes us to a movie review posted today at the online site of WTOP, the all-news radio station in Washington, D.C.

The review discusses the perversely named Truth, a new motion picture that celebrates former CBS News anchor Dan Rather and producer Marla Mapes who in 2004 used fraudulent documents to claim President George W. Bush dodged wartime service in Vietnam. (Because it stars Robert Redford in Rather’s role, Truth has invited comparisons — not all of them favorable — to All the President’s Men, the 1976 film in which Redford played Woodward of the Post.) 

The WTOP reviewer has little truck with the Truth story line, saying it “would have been far better … to paint the characters as fallen figures who admit they screwed up, rather than misunderstood scapegoats who were taken down by The Man.”

Fair enough. But then, to demonstrate how assiduous journalists ought to proceed, the review reaches for the heroic-journalist trope of Watergate and declares:

“If Woodward and Bernstein ran the story too early — before they had actual proof from reliable sources — Nixon would have stayed in office, the Watergate would simply be a fancy hotel, and ‘All the President’s Men’ would not exist.”

The reference to “the story” is puzzling, given that the reporting of Watergate went far beyond a single article in the Washington Post. The scandal produced extensive news reporting over many months, from the burglary in June 1972 at the headquarters of the Democratic National Committee at the Watergate complex in Washington to the resignation of Nixon in August 1974, following disclosures that he had approved a plan to cover up the break-in.

And to assert that “Nixon would have stayed in office” if not for Woodward and Bernstein is to be decidedly in error — and to indulge in a powerful myth of American journalism.

It is a tempting trope, to be sure. As I wrote in my media-mythbusting book, Getting It Wrong, the heroic-journalist interpretation offers “ready short-hand for understanding Watergate and its denouement, a proxy for grasping the scandal’s essence while avoiding its forbidding complexity.”

Not even Woodward has embraced the heroic-journalist myth. He once told an interviewer for American Journalism Review:

To say the press brought down Nixon, that’s horse shit.”

And in an interview with the PBS “Frontline” program, Woodward said “the mythologizing of our role in Watergate has gone to the point of absurdity, where journalists write … that I, single-handedly, brought down Richard Nixon. Totally absurd.”

He’s right: Woodward and Bernstein did not topple Nixon’s corrupt presidency.

Their reporting did win a Pulitzer Prize in 1973. But Woodward and Bernstein did not break the most crucial stories of Watergate.

They did not, for example, disclose the extent to which the Nixon administration covered up of the crimes of Watergate. Nor did they reveal the existence of the secret White House audio tapes, the contents of which were decisive to Watergate’s outcome.

The so-called “Smoking Gun” tape captured Nixon’s approving a plan on June 23, 1972, to divert the FBI’s investigation of the Watergate break-in. The tape’s release sealed the president’s fate.

Without the tapes, Nixon likely would have served out his term.

WJC

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The Woodward, Bernstein stories that ‘toppled’ Nixon: And they were?

In Debunking, Error, Furnish the war, Media myths, Newspapers, Quotes, Reviews, Scandal, Spanish-American War, Washington Post, Watergate myth on July 19, 2015 at 4:26 pm

Media myths sometimes make appearances in odd and baffling ways. As non-sequiturs, even.

Take, for example, this pithy mischaracterization of Watergate, offered a number of years ago by the New York media critic, Michael Wolff:

Nixon got Nixon

Nixon’s tapes got Nixon

“The Washington Post didn’t like [Richard] Nixon — and because of that bad blood we got Watergate.”

As I pointed out soon after Wolff’s observation was posted at Newser.com, such an interpretation is absurd. Nixon and the Post may not have much liked each other, but bad blood had nothing to do with how the Watergate scandal unfolded from 1972-74.

Nixon’s resignation in August 1974 was the culmination not of the Post’s reporting but of the collective investigative efforts by a variety of agencies and entities, including bipartisan panels of both houses of Congress, special prosecutors, federal judges, the FBI, and, ultimately, the U.S. Supreme Court, which compelled Nixon’s release of the telltale evidence of Watergate — the secret tape recordings he had made of private conversations in the Oval Office.

The so-called “smoking gun tape” captured Nixon obstructing justice by approving a plan to divert the FBI investigation into the signal crime of Watergate — the break-in in June 1972 of the Democratic National Committee’s headquarters.

If not for evidence of criminality captured on the tapes, Nixon probably would have survived the scandal.

Which brings us to the Christian Science Monitor’s review of Being Nixon: A Man Divided, a new biography by Evan Thomas. The review was posted online the other day and contained this erroneous and baffling statement:CSM small logo_65x45

“Even the Woodward and Bernstein stories in The Washington Post that toppled Nixon, bolstered by the subsequent best-selling book and Robert Redford movie (‘All the President’s Men’), are, for many current readers, as remote as D-Day or Pearl Harbor.”

The “toppled” passage is erroneous because the reporting by Bob Woodward and Carl Bernstein for the Post assuredly did not bring down Nixon. Woodward, in fact, has insisted on that point from time to time: For example, he told an interviewer in 2004:

To say the press brought down Nixon, that’s horseshit.”

The “toppled” passage is baffling because Thomas makes no such claim in his book. Indeed, he seems careful not to indulge in media-driven myths. (As I noted at the time at Media Myth Alert, Thomas’ 2010 book, The War Lovers, repeated one of American journalism’s best-known myths, the purported vow of William Randolph Hearst to “furnish the war” with Spain.)

According to the book’s index, “Woodward” is mentioned on six pages in Being Nixon; “Bernstein” appears on four pages. None of those pages contains the mythical claim that their reporting forced Nixon’s resignation. (“Topple” or “toppled” appear not at all in the book.)

So it is rather baffling that the Monitor’s review would state that claim so matter-of-factly. It’s not as if the book’s content led the reviewer astray.

Moreover, it is revealing and instructive to consider what were the most important Watergate articles by Woodward and Bernstein.

I noted in my media-mythbusting book, Getting It Wrong, that as “the scandal slowly unfolded in the summer and fall of 1972, Woodward and Bernstein progressively linked White House officials to a secret fund used to finance the burglary [at the Democratic headquarters]. The Post was the first news organization to establish a connection between the burglars and the  White House, the first to demonstrate that campaign funds … were used to fund the break-in, the first to implicate the former attorney general John Mitchell in the scandal, and the first to link [senior Nixon aide H.R.] Haldeman to Watergate.”

But those articles, separately or collectively, were hardly enough to threaten Nixon’s presidency. They weren’t “stories … that toppled Nixon.”

In any case, Woodward and Bernstein’s reporting notably failed to disclose what were decisive elements of the scandal — the Nixon administration’s efforts to cover up the crimes of Watergate and the existence of the secret White House tapes.

WJC

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