In doing so, Trotta referred to — and mangled — key elements of the saga of Jessica Lynch, the Army private thrust into an international spotlight by a newspaper’s botched report about her battlefield heroics in Iraq in March 2003.

Trotta said in an appearance on the Fox program “America’s News HQ” that “the political correctness infecting the Pentagon has resulted in silly and dishonest fairy tales about female heroism. Has anyone forgotten the Jessica Lynch story?

“A PFC captured by the Iraqis and by all accounts, including her own, not mistreated. Yet the Pentagon saw fit to send in the SEALs to rescue her from a hospital in a videotaped operation that seemed headed straight to Hollywood.”

Whoa.

Let’s call out the errors there: Lynch was mistreated, and videotaping her rescue was routine practice in high-priority military operations –  not done with Hollywood in mind.

By Lynch’s own account — contained in a book by Rick Bragg and titled I Am a Soldier, Too — she was knocked out in the crash of a Humvee in attempting to escape an ambush in Nasiriyah, in southern Iraq. While unconscious, Lynch “was a victim of anal sexual assault,” the book says, adding:

“The records do not tell whether her captors assaulted her almost lifeless, broken body after she was lifted from the wreckage [of the Humvee], or if they assaulted her and then broke her bones into splinters until she was almost dead.”

She was rescued from an Iraqi hospital on April 1, 2003, in an operation that included not only Navy SEALS but Marines and Army Rangers as well.

It was the first rescue of a captured American solder from behind enemy lines since World War II.

I discuss the mythology of the Lynch case in my latest book, Getting It Wrong, noting that the Defense Department’s inspector general found no evidence to support the notion Lynch’s rescue “was a staged media event.”

The then-acting inspector general, Thomas F. Gimble, said in a report to Congress in 2007 that the rescue operation was determined to have been “a valid mission” to recover a prisoner of war “under combat conditions.”

That the rescue was videotaped was not unusual, Gimble said, noting that combat cameramen routinely filmed high-priority operations. In the Lynch case, he said, there was “no indication that any service member was acting for the camera during the rescue mission.”

Gimble also said the extrication team “fully expected to meet stiff resistance” in mounting the rescue.

Trotta’s mangled account was the latest in a succession of erroneous characterizations about the Lynch case, which burst into prominence April 3, 2003, in a sensational, front-page report in the Washington Post.

The newspaper cited otherwise unidentified “U.S. officials” and said Lynch, a supply clerk, had fought fiercely in the ambush at Nasiriyah, that she had “continued firing at the Iraqis even after she sustained multiple gunshot wounds and watched several other soldiers in her unit die around her ….”

The Post quoted one of the anonymous officials as saying: “She was fighting to the death. She did not want to be taken alive.”

But the report was bogus. Little of it was true.

Lynch, who was not in a combat unit, never fired a shot in the ambush; her weapon jammed.

Not was she shot, as the Post reported. She suffered shattering injuries in the crash of the Humvee.

The Post, moreover, has never adequately explained how it erred so utterly in its hero-warrior story about Lynch, a story that was picked up by news organizations around the world.

More recently, in an interview with Lynch last month, Fox News anchorman Shepard Smith claimed without providing evidence that “the government” had made up the tale about Lynch’s battlefield heroics in Iraq.

He ignored the singular role of the Washington Post in placing the hero-warrior tale about Lynch into the public domain.

WJC

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So says Carl Bernstein, the former Watergate reporter for the Washington Post, in an over-the-top characterization of Murdoch and what he calls Murdoch’s “gutter instincts.”

Bernstein: Murdoch a press freedom threat

Bernstein was referring to the police and parliamentary investigations into practices at Murdoch’s London tabloids, inquiries that have led to the arrests of numerous employes and the closure last summer of the Sunday News of the World.

The suspected misconduct in Britain also may have consequences for Murdoch’s News Corp. under U.S. anti-corruption laws.

Bernstein, a frequent and frankly sanctimonious critic of Murdoch since the scandals broke in London last year, declared in a recent interview on CNN:

“It’s really ironic that the greatest threat to freedom of the press in Great Britain today, and around the world today perhaps, has come from Rupert Murdoch because of his own excesses.”

What a foolish, misleading, and naive statement: The “greatest threat to freedom of the press …  around the world today perhaps” is Rupert Murdoch.

Sure, Murdoch’s hard-ball tactics and raunchy media outlets are offensive to polite company.

But the 80-year-old mogul is scarcely the world’s leading menace to press freedom. To suggest that he is is to insult the nearly 180 journalists who are in jail because of their work in Africa, Asia, and the Middle East.

The true contenders for the epithet of the world’s leading press-freedom menace are many, and include the ayatollahs in Iran.

According to the New York-based Committee to Protect Journalists, Iran is the world’s leading jailer of journalists: Forty-two of the 179 journalists behind bars in late 2011 were imprisoned in Iran.

Journalists are in jail typically because their reporting in traditional or online media offended power-wielding authorities or violated censorship laws.

In Iran, CPJ points out, the “authorities seem intent on silencing any independent or critical voices.”

Bernstein’s naive remark also ignores Eritrea and China, where, respectively, 28 and 27 journalists were in jail in late 2011, according to CPJ.

The organization notes that other journalists “may languish” in Chinese jails “without coming to the notice of news organizations or advocacy groups.”

Bernstein’s comment about Murdoch likewise ignores the Castro regime in Cuba, which long has been a jailer of journalists. As many as 29 dissident journalists were arrested in 2003 in a sweeping crackdown on dissent. The last of them was released in April last year.

While CPJ counted no Cuban journalists in jail in late 2011, the organization says authorities there “continue to detain reporters and editors on a short-term basis as a form of harassment.”

Bernstein’s comment also ignored the Stalinist regime in North Korea, which ranks dead last in the annual Freedom House ranking of press freedom in the world.

Freedom House, a New York-based organization that promotes democratic governance, assesses levels of press freedom in more than 190 countries and territories on a scale of zero to 100 points. The more points, the worse the ranking.

Finland ranked first, with 10 points. The United States and Britain were rated “free,” with 17 points and 19 points, respectively.

North Korea ranked last, with 97 points.

The regime in Pyongyang “owns all media, attempts to regulate all communication, and rigorously limits the ability of North Koreans to access information,” Freedom House noted, adding that all journalists “are members of the ruling party, and all media outlets are mouthpieces for the regime.”

His recent remarks about Murdoch’s threat to press freedom were the latest of Bernstein’s over-the-top characterizations of the mogul whose media and entertainment company has holdings around the globe.

As the tabloid scandal in Britain exploded last summer, prompting the closure of the News of the World, Bernstein likened the misconduct to Watergate, the  unprecedented U.S. constitutional crisis that led to Nixon’s departure from office in disgrace in 1974.

But Watergate was sui generis. The scandal not only toppled Nixon but sent to jail 19 men associated with his presidency or his 1972 reelection campaign.

What’s more, as I discuss in my latest book, Getting It Wrong, the Watergate reporting by Bernstein and Washington Post colleague Bob Woodward was neither central to, nor decisive in, bringing down Nixon’s corrupt presidency.

WJC

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In a  column for Bloomberg News, Alter wrote:

“Politics has been a contact sport since at least the election of 1804, when President Thomas Jefferson was accused (accurately, it turned out) of having an affair with ‘Dusky Sally’ Hemings, a slave.”

Accurately, it turned out?

That may hew to the dominant narrative about the purported Jefferson-Hemings liaison. But it’s far from proven, far from “accurate.”

Indeed, it’s quite unlikely.

Key evidence in the controversy centers around DNA testing conducted in 1998. The evidence indicated that the former president was among more than two dozen Jefferson men who were in Virginia at the time Hemings’ youngest child, Eston, was conceived in 1807.

Thomas Jefferson then was 64-years-old, making him an unlikely paternity candidate.

The DNA results were widely misreported when released, giving rise to the mistaken notion that the tests had confirmed Jefferson’s paternity.

However, as a detailed scholarly study published last year points out:

“The problem [in misinterpreting the DNA evidence] lies not only with a news media prone to over simplifying and sensationalizing complex stories.  Numerous prominent scholars have contributed to the misunderstanding by characterizing the DNA study as ‘confirming’ or ‘clinching’ the case for Thomas Jefferson’s paternity.”

The scholarly study, an impressive work titled The Jefferson-Hemings Controversy: Report of the Scholars Commission, further notes that the DNA tests “were never designed to prove, and in fact could not have proven, that Thomas Jefferson was the father of any of Sally Hemings’ children.”

The book — which has received scant attention from mainstream American media — presents a circumstantial case pointing to Jefferson’s younger brother, Randolph (or his sons), in the question of Eston Hemings’ paternity.

Randolph Jefferson, the book says, was known to have socialized with the slaves at Monticello, Thomas Jefferson’s home in Virginia.

Randolph Jefferson was a dozen years younger than the president, and the available record offers no evidence that Thomas Jefferson “enjoyed socializing at night with Monticello slaves,” the book says.

The scholars commission that compiled the volume describes the case as closed by no means.

Indeed, the scholars commission writes in The Jefferson-Hemings Controversy that a “more rational conclusion, from the totality of the evidence before us, is that Sally Hemings was not Thomas Jefferson’s lover, and her children were not his children.”

To assert otherwise — to insist on the accuracy of claims about Jefferson’s purported sexual relationship with a slave — is to indulge in a sort of sloppy, take-it-for-granted kind of reporting.

Sloppy, take-it-for-granted reporting can be a factor in the emergence and durability of media-driven myths, the subject of my latest book, Getting It Wrong.

I note in Getting It Wrong, for example, that hurried and sloppy reporting propelled the media myth of “crack babies,” in which journalists in the 1980s and 1990s “pushed too hard and eagerly on preliminary and inconclusive research. And the horrors they predicted, that ‘crack babies‘ would grow up to be a vast, permanently dependent class — a ‘bio-underclass’ of staggering dimension — proved quite wrong.”

Decidedly wrong.

WJC

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On front page for 115 years

And I recalled that occasion in a piece for the BBC News online site, writing:

“The motto appeared on the Times’ front page without notice, commentary, or fanfare. In the years since, the phrase has been admired as a timeless statement of purpose, interpreted as a ‘war cry’ for honest journalism, and scoffed at as pretentious, overweening, and impossibly vague.

“Even the Times hasn’t been entirely consistent in its embrace and interpretation of those seven words. In 1901, at the 50^th anniversary of its founding, the Times referred to ‘All the news that’s fit to print’ as its ‘covenant. In 2001, a Times article commemorating the newspaper’s 150^th anniversary said of the motto:

“’What, exactly, does it mean? You decide. The phrase has been debated, and endlessly parodied, both inside and outside the Times for more than a century.’

“On occasion, the motto has been taken far too seriously, as in 1960 when Wright Patman, a U.S. congressman from Texas, asked the Federal Trade Commission to investigate whether ‘All the news that’s fit to print’ amounted to false and misleading advertising.

“’Surely this questionable claim has a tendency to make the public believe, and probably does make the public believe, that the New York Times is superior to other newspapers,’ Patman wrote.

“The Trade Commission declined to investigate, saying: ‘We do not believe there are any apparent objective standards by which to measure whether “news” is or is not “fit to print.”’

“No matter how it’s interpreted, the motto certainly is remarkable in its permanence. One-hundred fifteen years on the front page has invested the motto with a certain gravitas. It often has been associated with fairness, restraint, and impartiality — objectives that nominally define mainstream American journalism.

“A commentary in the Wall Street Journal in 2001 addressed those sentiments, describing the motto as the ‘leitmotif not merely for the Times, but also, by a process of osmosis and emulation, for most other general-interest papers in the country, as well as for much of the broadcast media.

“Interestingly, the ‘leitmotif’ of American journalism had its origins in marketing and advertising.

“’All the news that’s fit to print’ first appeared on an illuminated advertising sign, spelled out in red lights above New York’s Madison Square in early October 1896. That was about six weeks after Adolph S. Ochs had acquired the newspaper in bankruptcy court.

“Ochs, patriarch of the family that still controls and publishes the Times, had come to New York from Tennessee. His task was to differentiate the Times from its larger, aggressive, and wealthier rivals — notably the yellow press of William Randolph Hearst and Joseph Pulitzer. It was a tall order, given the beleaguered status of the Times in New York’s crowded newspaper market.

“Ochs possessed a keen sense of promotion and turned to a number of techniques to call attention to the Times. The illuminated sign at Madison Square was one. An even more successful promotion was a contest inviting readers to propose a better motto.

“In late October 1896, the Times announced it was offering $100 for the phrase of ten words or fewer that ‘more aptly’ captured the newspaper’s ‘distinguishing characteristics’ than ‘All the news that’s fit to print.’

“Hundreds of entries poured in. …  As the contest unfolded in the fall of 1896, the Times amended the rules, making clear it would not abandon ‘All the news that’s fit to print’ but would still pay $100 for the best suggestion. And entries kept coming in.

“A committee of Times staff narrowed the field to 150, which in turn was winnowed to four by the motto contest judge, Richard W. Gilder, editor of The Century magazine. The finalists were:

• “Always decent; never dull”
• “The news of the day; not the rubbish”
• “A decent newspaper for decent people”
• “All the world’s news, but not a School for Scandal”

“The latter entry, Gilder determined, was the best of the lot, and the Times paid the prize money to the author of the phrase, D.M. Redfield of New Haven, Connecticut.

“What exactly prompted Ochs to move ‘All the news that’s fit to print’ to the front page 115 years ago is not entirely clear. But his intent was unmistakable — to throw down a challenge to the yellow press, a challenge that Ochs ultimately won. The Times has long outlived the New York newspapers of Hearst and Pulitzer.

“So the motto lives on as a reminder, as a daily rebuke to the flamboyant extremes of fin-de-siècle American journalism that helped inspire ‘All the news that’s fit to print.’”

WJC

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The actress indulged a bit in the golden age fallacy, recalling broadcast journalists Edward R. Murrow and Walter Cronkite as exemplary newsmen whose talents these days are sorely missed.

“Americans,” Streisand wrote, “are busy, working hard to support and provide for their families. They don’t have time to parcel out fact from fiction. They depend on the Fourth Estate to guide them and to hold individuals running for office, especially the highest office in our country, accountable.”

The claim that Americans “depend on the Fourth Estate to guide them” is surely overstated, given evidence that many Americans go newsless and ignore media content altogether.

Streisand went on, extolling media icons of the past:

Murrow

“Journalists like Walter Cronkite and Edward R. Murrow knew it was their duty to know the facts and disseminate them to the public. That responsibility in today’s media world seems to be diminishing.”

Murrow, who came to fame on CBS radio in the 1940s and on CBS television in 1950s, was no white knight, though. He hardly was above the political fray.

As I note in my media mythbusting book, Getting It Wrong, Murrow privately donated time and expertise in acquainting Adlai Stevenson, the 1956 Democratic presidential candidate, with television.

I cite A.M. Sperber, one of Murrow’s leading biographers, who wrote that Murrow agreed “to help the Democrats” in offering Stevenson tips on “the finer points of speaking to the camera.”

Sperber, who characterized Murrow’s move “a radical departure from his usual practice,” said Stevenson “barely endured” the tutoring.

What’s more, Murrow is the subject of one of American journalism’s more savory and tenacious myths — that he stood up to the red-baiting senator, Joseph R. McCarthy, when no other journalist would, or dared.

Which is nonsense.

As I discuss in Getting It Wrong, Murrow was quite late in confronting McCarthy, doing so long after a number of journalists – including the muckraking columnist Drew Pearson– had become persistent and searching critics of the senator, his record, and his tactics.

Cronkite, the famous CBS News anchorman from 1963 to 1981, likewise is the subject of a durable media-driven myth — that his editorializing about the war in Vietnam in February 1968 forced President Lyndon B. Johnson to realize the folly of his policy.

Legend has it that Johnson was watching at the White House when Cronkite pronounced the U.S. military “mired in stalemate” in Vietnam. Cronkite also suggested the negotiations might offer a way out of the morass.

Upon hearing Cronkite’s downbeat assessment, Johnson supposedly leaned over and snapped off the television set, telling an aide or aides, “If I’ve lost Cronkite, I’ve lost Middle America.”

Or something to that effect. Versions vary, markedly.

But as I discuss in Getting It Wrong, Johnson did not see the program in which Cronkite made his editorial comment.

Johnson in Austin: Didn't see Cronkite show

Johnson at the time was in Austin, Texas, attending the 51st birthday party of Governor John Connally, a longtime political ally. About the time Cronkite was intoning “mired in stalemate,” Johnson was joking about Connally’s age, saying:

“Today you are 51, John. That is the magic number that every man of politics prays for—a simple majority.”

It’s illogical to argue that Johnson could have been much moved by a television report he hadn’t seen.

Granted, Cronkite’s editorial comment about Vietnam — tepid though it was — represented something of a departure for the avuncular anchorman. He usually tried to play it straight, because he had to.

As media critic Jack Shafer pointed out shortly after Cronkite’s death in 2009, the anchorman’s impartiality was partly a function of the federal “Fairness Doctrine,” which sought to encourage balanced reporting on the air.

Shafer wrote that “between 1949 and 1987 — which come pretty close to bookending Cronkite’s TV career — news broadcasters were governed by the federal ‘Fairness Doctrine.’ The doctrine required broadcast station licensees to address controversial issues of public importance but also to allow contrasting points of view to be included in the discussion.

“One way around the Fairness Doctrine was to tamp down controversy,” which he notes, the three U.S. television networks of the time “often did.”

So, no: Murrow and Cronkite weren’t exactly paragons of play-it-straight journalism. Pining for them while deploring today’s freewheeling media landscape is neither very sophisticated nor very useful.

Nor even fair to the historical record.

WJC

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Wardman: Gave us 'yellow journalism'

“Yellow journalism” is a disparaging epithet often invoked in journalism, even though its derivation is little known.

This is the back story to a sneer that trips easily off the tongue with scorn and condescension.

The first verified use of the term was 115 years ago today, when “yellow journalism” appeared in the old New York Press.

The phrase “the Yellow Journalism” appeared in a small headline on the Press’ editorial page on January 31, 1897. The phrase also appeared that day in the newspaper;s editorial page gossip column, “On the Tip of the Tongue.”

“Yellow journalism” was quickly embraced in American newspapering, as a way to disparage and denigrate the freewheeling practices of William Randolph Hearst and his New York Journal as well as Joseph Pulitzer and the New York World.

Within weeks of the first use of the term, references to “yellow journalism” had appeared in newspapers in Providence, Richmond, and San Francisco.

In the 115 years since then, “yellow journalism” has turned into a derisive if vague shorthand for denouncing sensationalism and journalistic misconduct of all kinds.

“It is,” I wrote in my 2001 book, Yellow Journalism: Puncturing the Myths, Defining the Legacies, “an evocative term that has been diffused internationally, in contexts as diverse as Greece and Nigeria, as Israel and India.”

I also noted that yellow journalism emerged in “a lusty, fiercely competitive, and intolerant time, when newspapers routinely traded brickbats and insults” and even threats.

Just how Wardman and the Press came up with “yellow journalism” is not clear.

The newspaper’s own, brief discussion of the term’s derivation was decidedly unrevealing. “We called them Yellow because they are Yellow,” the Press said in 1898 in a comment about the Journal and the World.

In the 1890s, the color yellow sometimes was associated with depraved literature, which may have been an inspiration to Wardman, an austere figure largely lost to New York newspaper history. (The New York Times said in 1923 in its obituary of Wardman: “Like many another anonymous worker in journalism, his name was not often conspicuously before the public, and he was content to sink his personality in that of the papers which he served.”)

Wardman, who earned a bachelor’s degree in three years at Harvard University, once was described as showing “Calvinistic ancestry in every line of his face.” He did little to conceal his contempt for Hearst and Hearst’s flamboyant style of journalism.

Disdain routinely spilled into the columns of the Press, of which Wardman became editor in chief in 1896 at the age of 31. (The Press ceased publication in 1916.)

The Press took to taunting Hearst, Hearst’s mother, and Hearst’s support for Democratic candidate William Jennings Bryan in the 1896 presidential election. Hearst’s Journal was virtually alone among New York newspapers in supporting Bryan’s “free silver” candidacy.

The Press taunted Hearst, then 34, as a mama’s boy and “little Willie.” It referred to the Journal as “our silverite, or silver-wrong, contemporary.”

The Press also experimented with pithy if stilted turns of phrase to denounce “new journalism,” Hearst’s preferred term to characterize his style of newspapering.

“The ‘new journalism,’” the Press said in early January 1897 “continues to think up a varied assortment of new lies.”

Later in the month, the Press asked in a single-line editorial comment:

“Why not call it nude journalism?”

It clearly was a play on “new journalism” and was meant to suggest the absence of “even the veneer of decency.”

It wasn’t long before Wardman and the Press seized upon the phrase “yellow-kid journalism,” which evoked the Hearst-Pulitzer rivalry over a popular cartoon character known as the “Yellow Kid.” Both the Journal and the World at the time were publishing versions of the kid.

The Yellow Kid (Library of Congress)

At the end of January 1897, the phrase “yellow-kid journalism” was modified  to “the Yellow Journalism,” and the sneer was born.

Wardman turned often to this delicious pejorative, invoking it in a number of brief editorial comments such as:

“The Yellow Journalism is now so overripe that the little insects which light upon it quickly turn yellow, too.”

The diffusion of “yellow journalism” was confirmed when Hearst’s Journal embraced the term in mid-May 1898, during the Spanish-American War. With typical immodesty, it declared:

“… the sun in heaven is yellow—the sun which is to this earth what the Journal is to American journalism.”

WJC

Adapted from an essay posted in 2010 at Media Myth Alert.

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It’s a tempting claim of new media triumphalism that begs a one-word question: Where?

Where have social media taken down repressive governments?

Certainly not in Iran, where anti-regime protests sparked by a rigged presidential election in June 2009 gave rise to the misnomer, “Twitter Revolution.”

Twitter surely helped in organizing the demonstrations in Tehran. But social media proved no match for the Islamic government’s brutal crackdown that snuffed out the protests and shut down the threat to the regime.

Besides, Twitter became a channel for erroneous information — and disinformation — during the Iranian protests. Media critic Jack Shafer wrote at the time that Twitter was “more noise than signal in understanding the Iranian upheaval.”

So where else?

Egypt? A somewhat stronger case can be made there, that new media platforms contributed to the downfall nearly a year ago of Hosni Mubarak’s corrupt, 29-year authoritarian regime.

But even there, social media cannot be seen as decisive. They acted more as propellants in Egypt than as causal or precipitating agents.

Evgeny Morozov, writing last year in the Wall Street Journal, observed that the “Egyptian experience suggests that social media can greatly accelerate the death of already dying authoritarian regimes.”

Morozov, author of the insightful book The Net Delusion: The Dark Side of Internet Freedom, also noted that the anti-regime protesters in Egypt “were blessed with a government that didn’t know a tweet from a poke.”

In other words, the regime was mostly clueless about online countermeasures, how to turn social media to perverse use as instruments for identifying, spying on, and sidelining malcontents and regime foes.

Morozov wrote that “dictators learn fast and are perfectly capable of mastering the Internet” in countering populist threats to their regimes. He also noted that some authoritarian governments “have turned mostly to Western companies and consultants for advice about the technology of repression.”

A recent, searching study about social media and political upheaval across the Middle East notes:

“There can be no doubt that online activism is a significant phenomenon that has had a major impact on the Arab Spring.

“Yet, we would be wise not to exaggerate its influence.”

Mubarak’s fall, the study adds, wasn’t “the result of online activism alone. This would ignore the major roles played by those [in Egypt] who had likely not even heard of Facebook or Twitter.”

The study, written by Tim Eaton and posted online this month at New Diplomacy Platform, says social media helped mobilize opposition to Mubarak’s unpopular regime.

But Eaton adds that “events in Tunisia … appear to have been the game-changer. The success of Tunisian activists in ousting President [Zine el-Abidine] Ben Ali motivated many Egyptians to seek to replicate their feat.”

That phenomenon is known as a demonstration effect, in which tactics and events in one context serve as a model or inspiration elsewhere.

Mubarak’s regime did shut down the Internet in Egypt last year, from January 28 to February 1, in a bungled attempt to cut off the flow of online information to anti-regime activists. But the move backfired.

“It wasn’t the Internet that destroyed Mr. Mubarak,” Morozov wrote, ” it was Mr. Mubarak’s ignorance of the Internet that destroyed Mr. Mubarak.”

To assert, as Clinton did last night, that social media can take down repressive governments is to offer a simplistic message of media triumphalism, one thinly supported by empirical evidence.

It is, moreover, an explanation that shortchanges understanding of the complex mechanics of regime change.

And embracing simplistic explanations is an important way in which media-driven myths — those false, dubious, improbable stories about the news media that masquerade as factual — can take hold.

As I write in my latest book, Getting It Wrong, more than a few media-driven myths have emerged “from an impulse to offer easy answers to complex issues, to abridge and simplify topics that are thorny and intricate.”

Social media are not inherently democratic. Nor have they proved decisive in bringing down authoritarian regimes.

WJC

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On assignment for Hearst

The artist Frederic Remington was back from Havana just a few days when on January 24, 1897, William Randolph Hearst’s New York Journal began publishing his sketches of the Cuban rebellion against Spanish colonial rule.

Remington later confided that he didn’t think much of the Journal’s reproduction techniques. But the newspaper played up Remington’s artwork, publishing them beneath an extravagant headline that read:

“Cuban War Sketches Gathered in the Field by Frederic Remington; The Gifted Artist, Visiting Cuba Especially for the Journal, Describes with Pen and Pencil Characters That Are Making the War Famous and Infamous.”

The prominent display given the sketches, and the Journal’s flattering references to the artist, serve to undercut a tenacious and prominent media-driven myth, an anecdote that ranks as one of the most popular in American journalism.

And that is the hoary tale that Hearst, in a telegraphic exchange with Remington, vowed to “furnish the war” with Spain.

As I discuss in my latest book, Getting It Wrong, the exchange, if it happened, would have occurred on or about January 17, 1897, when Remington was preparing to leave Cuba and return to New York.

Hearst had sent Remington and the correspondent Richard Harding Davis to Cuba to report on the rebellion against Spanish rule, a vicious conflict that gave rise in 1898 to the Spanish-American War.

Remington and Davis didn’t get along and parted ways after only a few days in Cuba. According to legend, Remington before leaving sent a cable to Hearst that said:

“Everything is quiet. There is no trouble here. There will be no war. I wish to return.”

In reply, Hearst supposedly told Remington:

“Please remain. You furnish the pictures, and I’ll furnish the war.”

Remington left anyway, taking the passenger steamer Seneca to New York, arriving January 21, 1897. His Cuba sketches began appearing in the Journal 115 years ago today.

So how do those sketches help debunk the tale about Hearst’s vow “furnish the war”?

As I discuss in Getting It Wrong, the sketches “depict unmistakable (if unremarkable) scenes of a rebellion — a scouting party of Spanish cavalry with rifles at the ready; a cluster of Cuban non-combatants trussed and bound and being herded into Spanish lines; a scruffy Cuban rebel kneeling to fire at a small Spanish fort; a knot of Spanish soldiers dressing a comrade’s leg wound.”

Their subject matter effectively disputes the notion that Remington had found “everything … quiet” in Cuba.

Remington, 'gifted artist'

That the sketches were accompanied by glowing references to Remington as a “gifted artist” indicates that Hearst was not angry with Remington as he surely would have been had the artist left Cuba after being told “please remain.”

Indeed, it is difficult to believe Hearst would have been so generous in his compliments and ordered such prominent display of Remington’s work had the artist in fact disregarded Hearst’s instructions to stay in Cuba.

“Far from being irritated and displeased with Remington,” I write in Getting It Wrong, “Hearst was delighted with his work. He recalled years later that Remington and Richard Harding Davis, the celebrated writer who traveled to Cuba with the artist, ‘did their work admirably and aroused much indignation among Americans’ about Spanish rule of the island.”

The sole source of the “furnish the war” anecdote was James Creelman, who in January 1897 was neither with Hearst in New York nor with Remington in Cuba. Creelman then was in Spain, as the Journal’s “special commissioner,” or correspondent, on the Continent.

Creelman incorporated the anecdote about the Remington-Hearst exchange in a book of reminiscences, On the Great Highway, which was published in 1901. Creelman, a blustery, cigar-chomping egotist, did not say how he learned about the purported Remington-Hearst exchange, which he presumes to quote verbatim.

Hearst denied ever having sent such a message. Remington apparently never spoke about the supposed exchange.

The display Remington’s sketches received in Hearst’s Journal, and the newspaper’s compliments about the artist, are two of several compelling reasons for doubting the anecdote and treating it as a media myth.

Another reason is that the telegrams Remington and Hearst supposedly sent have never turned up.

The anecdote, moreover, is illogical on its face: It would have made no sense for Hearst to have vowed to “furnish the war” because war — the rebellion against Spanish rule — was the reason he sent Remington to Cuba in the first place.

WJC

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ABC’s roster of “the top eight politicians who led double lives” was posted online and promised “a look at some … tawdry affairs and public scandals” — and how the politicians implicated “weathered the storm.”

In addition to Jefferson, ABC included Grover Cleveland, the U.S. president in the 1880s and 1890s who fathered a child out of wedlock, and Eliot Spitzer, who as governor of New York consorted with a high-priced call girl.

The ABC roster also included an obscure and mostly forgotten former politician, Vito Fossella, a five-term New York congressman who in 2008 acknowledged fathering a child in an extramarital affair.

Given that the likes of Fossella made the list, it’s inexplicable that Clinton was omitted.

Clinton’s tawdry sexual affair with Monica Lewinsky, a White House intern, began in mid-November 1995 and continued intermittently until March 1997.

Disclosures of the Clinton-Lewinsky dalliance, and falsehoods he told under oath about the affair, nearly destroyed Clinton’s presidency.

He was impeached in December 1998 on two counts — lying under oath and obstructing justice to cover up the affair — but acquitted by the U.S. Senate in February 1999 and served out the 23 months remaining in his term.

Separately, a federal judge found Clinton in contempt of court for having lied under oath about the Lewinsky affair. Clinton was barred from practicing law for five years and ordered to pay nearly $90,000 to the lawyers of Paula Jones, who had accused him of sexual harassment while he was governor of Arkansas.

Clinton was the second U.S. president impeached in office. The other was Andrew Johnson, in 1868.

ABC’s including Jefferson in its “double lives” roster was little short of baffling: Indeed, its writeup about Jefferson’s purported sexual liaison with a slave-mistress named Sally Hemings offered no small amount of exculpatory evidence.

In fact, the writeup referred to “the myth of Jefferson’s double life” and noted:

“To this day, Jefferson’s paternity of any of her children has not been established with any absolute certainty.”

ABC also pointed out that a recent and detailed study about the purported Jefferson-Hemings affair which “did not show much support for the accusations” of a sexual liaison.

That study, a 400-page work titled The Jefferson-Hemings Controversy: Report of the Scholars Commission, was compiled by a commission of Jefferson scholars charged with puncturing the myriad misunderstandings about the third president and a slave whom he rarely mentioned in his letters.

Among the misunderstandings was the DNA testing released in 1998 — about the time Clinton was facing impeachment charges — confirmed that Jefferson fathered children by Hemings.

“While the tests were professionally done by distinguished experts,” the scholars commission pointed out, “they were never designed to prove, and in fact could not have proven, that Thomas Jefferson was the father of any of Sally Hemings’ children.

“The tests merely establish a strong probability that Sally Hemings’ youngest son, Eston, was fathered by one of the more than two dozen Jefferson men in Virginia at the time ….”

One of the more than two dozen Jefferson men.

Yet, news media reports at the time characterized the DNA tests as offering “compelling evidence” of a sexual relationship between Jefferson and Hemings.

The scholars commission — a panel of 13 experts organized by the Thomas Jefferson Heritage Society — said that circumstantial evidence points more powerfully to Jefferson’s younger brother, Randolph (or his sons), in the paternity question.

Randolph Jefferson, the book says, was known to have socialized with the slaves at Monticello, Thomas Jefferson’s home near Charlottesville, VA.

Randolph Jefferson was a dozen years younger than the president, and the available record offers no evidence that Thomas Jefferson “enjoyed socializing at night with Monticello slaves,” the book points out.

Eston Hemings’ was conceived around August 1807, when Thomas Jefferson was 64 and in declining health — factors that further diminish the likelihood of his paternity.

Also making ABC’s roster of politicians who led “double lives” were Mark Sanford, a former governor of South Carolina; John Edwards, a former U.S. senator from North Carolina; Arnold Schwarzenegger, a former governor of California, and Anthony Wiener, a former congressman from New York City.

WJC

Many thanks to Instapundit
Glenn Reynolds for linking to this post.

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The Fox News claim was offered in an online commentary posted four days after an anchor for the cable network, Shepard Smith, made a similarly vague assertion in a televised interview with Lynch.

In both the commentary and the interview, Fox ignored the singular role of the Washington Post in placing the hero-warrior tale about Lynch into the public domain in what was a sensational, front page story published April 3, 2003.

The Post erroneously reported that Lynch, an Army supply clerk, had fought fiercely in the ambush of her unit in Nasiriyah, in southern Iraq. In fact, Lynch never fired a shot in the attack.

In the years since, the Post has never fully explained how it got the story so utterly wrong, effectively permitting a tenacious false narrative to take hold that the “government” — or the “military” — concocted the story for cynical propaganda purposes.

The commentary posted today at the Fox News online site ruminated about the quality of heroes and declared:

“Truth is an unavoidable casualty in catastrophe.

“Just last week former Private Jessica Lynch appeared on the FOX News Channel to share her side of the story of her famous capture and rescue in Iraq in 2003. The U.S. government initially claimed that then 19-year-old Lynch kept firing her weapon during an Iraqi ambush on her convoy in which she was the lone survivor.”

As I noted at Media Myth Alert last week in discussing Smith’s comments, the inclination by commentators on the political left and the right has been to overlook  the journalistic origins of the bogus hero-warrior tale about Lynch and assign blame vaguely to such faceless entities as “the government” or “the military.”

I further noted that never when such claims are raised is a specific culprit singled out. Just as rarely is the Post’s botched reporting on the bogus hero-warrior tale recalled or much discussed.

But quite simply, to ignore the Post’s central role in the tale about Lynch is to mislead and to assign fault improperly.

The Post’s report about Lynch was published beneath the headline:

“‘She was fighting to the death.’”

The report cited “U.S. officials” as sources in saying:

“Lynch, a 19-year-old supply clerk, continued firing at the Iraqis even after she sustained multiple gunshot wounds and watched several other soldiers in her unit die around her in fighting” in Nasiriyah on March 23, 2003.

While the Post has never specifically identified the “U.S. officials” to whom it referred in the Lynch story, it is clear the Pentagon had little to do with pushing or promoting the story.

We know this from Vernon Loeb, one of the Post reporters on the botched story about Lynch.

In an interview on an NPR program in December 2003, Loeb referred to the newspaper’s  sources on the Lynch story as “some really good intelligence sources here in Washington” who had received “indications that she had, you know, fired back and resisted her capture and actually been shot and possibly stabbed doing so.”

Loeb also said:

“Our sources for that story were not Pentagon sources.  And, in fact, I could never get anybody from the Pentagon to talk about those [battlefield intelligence] reports at all. I got indications that they had, in fact, received those intelligence reports, but the Pentagon was completely unwilling to comment on those reports at all.

“They wouldn’t say anything about Jessica Lynch.

“I’ve never believed that, at least as far as the story we wrote goes, that it was a Pentagon attempt to create a hero there.”

And as I discuss in my latest book, Getting It Wrong, Loeb on another occasion was quoted as saying:

”Far from promoting stories about Lynch, the military didn’t like the story.”

So from where did this false narrative arise about Lynch?

A contributing factor certainly was the claim by best-selling author Jon Krakauer, who inaccurately asserted that the Post’s source was a former White House official named Jim Wilkinson. In 2003, Wilkinson was director of strategic communications for General Tommy Franks, commander of U.S. forces in Iraq.

In his 2009 book,  Where Men Win Glory: The Odyssey of Pat Tillman, Krakauer wrote that Wilkinson was “a master propagandist” who “duped reporters and editors at the Washington Post.”

Wilkinson vigorously denied the unattributed claims and Krakauer last year quietly rolled back the assertions. A correction was inserted in a recent printing of the paperback edition of Where Men Win Glory, stating:

“Earlier editions of this book stated that it was Jim Wilkinson ‘who arranged to give the Washington Post exclusive access’ to this leaked intelligence [about Jessica Lynch]. This is incorrect. Wilkinson had nothing to do with the leak.”

WJC

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